Quotes About Reimagining

Oftentimes, when a movie turns into a series, you never retain the creative auspices. You buy the idea, you buy the franchise, and then you bring in a whole new creative team and copy the tone or sensibility.

What we did wrong on 'RoboCop,' we just did something new and didn't really take into account what the fans really loved about the original.

I've remixed lots of other people's songs, from Adele to Electric Light Orchestra to Beyonce, so when my record label said, 'Why don't you give 'Ibiza' to someone to remix?' I said, 'Sure,' because I like the idea of people reimagining art and making something new out of it.

My dad used to give me old electrical equipment that didn't work anymore, and I'd put things together. I think that's why I like to mix things that don't belong.

He couldn't help but give in to the occasional temptation to replay past events in his mind, altering them, changing them from cruel to comfortable, from sad to happy, from unfair to accommodating. Anything was possible in his imagination. Any ending. If only thinking it could make it so.

Well, like, the screenplay is about the book, so, like, it's kind of the book, only in different form, like the way iced coffee is still coffee even though it's cold.

Spike Lee is not the first name you would probably think about redoing 'Oldboy.'

I'm always interested in the spooky repurposing of everyday things.

I wanted to make my stories, which are inspired by Asian stories, into something fresh, decontextualized - to give them new life as a new kind of fantasy that isn't so cloying and exotic and strange.

Cinderella' from the point of view of the stepsisters. Maybe they weren't so wicked after all. Maybe she was actually a bitch to them.

When you look at our Godzilla, you won't feel any nostalgia.

Today, Mr. Darcy is a vampire.

You really can't do a remake. I mean, 'King Kong' needed its turn to be remade. It needed an update. But the 'Bad News Bears,' or 'The Shaggy D.A.,' those are classic movies. I think they did a good job of remaking them, but it's just not the same thing. Nobody can top Tatum O'Neal. It just isn't the same.

I think that probably the time that people stopped thinking of Starbuck as 'a woman' was when they stopped thinking of the old show.

Every time you said it, you really said it. It wasn't like a sequel where Hollywood just lines up the same actors and hopes it works again. It was like a remake with a new director and crew trying something else and starting from scratch.

I've been naturally quick at learning things, and I learn by doing things, so if I sit beside someone who is actively doing something, I look at how they do it and absorb the way in which they do something and find my own comfortable way of reimagining that, or using certain techniques in my own way.

I'm not that big a fan of sampling. But I feel like if I'm going to do it, I'm going to do it to where it's more of a reimagining of a track. The songs that I do utilize samples on, most of it you wouldn't even be able to tell what it was unless I told you.

I would say what you have to do as a screenwriter is strip the book back to find the skeleton. When you've found the skeleton - that's what you trust - you reclothe.

Crazy Arms' is one of those songs that can get crushed beneath its own weight. It's kind of like 'Orange Blossom Special' or 'Rocky Top' or 'Crazy.' But when you go back to the original interpretation, you hear it in a new way.

There's a Danish architecture firm called BIG. I love architecture, and I always check out their work; they're very good at reimagining the way we live. They put the human experience as the focus, with access to air and outdoor space.

instead of tearing down the building, solidly made with a four-acre footprint, it was turned into a center for the arts—gallery upon gallery, with coffee shops and restaurants. Here and there iron clumps of machinery have been left on pedestals, looking like vorticist sculptures.

A lot of kids only know 'E.T.' from the digitally-enhanced version.

If you've done a brilliant version it becomes something else.

I wish I had come along when the studios were making those big musical pictures. It would be great to do re-makes of some of the old ones like 'Porgy and Bess' or 'Showboat.' I'd love to do 'em.