Quotes About Immersive

With VR, you are directing in a 360-degree environment. The biggest challenge is that the viewer can look anywhere. They might look at the the weakest moments, the very things you edit for TV. You don't control where they look.

The thing that makes vivid writing is when the reader is in the body of the story, the body of the character. Things smell like something; there's weather, there's texture, there's light.

It really feels like VR has the possibility to be something really huge.

The sets were fantastic. The Harry Potter sets are brilliant. You do get transported for a second.

I really do think VR is now one of the most exciting things that can be done in this whole sector of consumer electronic entertainment stuff.

I want my films to be very tactile, visually and sonically.

The best learning happens in real life with real problems and real people and not in classrooms.

As Rothko was to say about these later works, "A painting is not a picture of an experience. It is an experience.

I remember what it was like to be doing 'Lost' and how creatively immersive it was. I just couldn't really engage on anything else, other than 'Lost;' I was just thinking about it all the time, and then there was just the pure workload, the 70- or 80-hour weeks.

One of the things I don't like about film is its incredible immersive quality. It's kind of bullying - it's very big, it's very flashy, it's got a lot of weight and it throws it around almost to the detriment of the rest of our culture.

A well-written novel, the most immersive of all forms of storytelling, should command your full attention and belief.

Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.

Anybody who's read 'Pretty Deadly' knows that I tend to savor an immersive, 'You'll figure it out as you go!' style. 'Pretty Deadly' really does not hold your hand.

With VR, we have this same vision, which is create this ultimate platform for sharing your imagination. Our huge community of 300,000 developers creates awesome content that's immersive, that's social. Although now, instead of accessing it in your living room with your controller, you literally can jump into this content.

Science fiction is what I point at when I say science fiction.

Imagination and fiction make up more than three quarters of our real life.

Creativity is the opposite of TV.

The thing about radio is that it's got an intimate feel. What I like is that you don't have to give it your full attention - you can still do something else that the same time, whereas TV is all-enveloping: you have to sit there and pay attention to it, and give yourself over to it. You have to surrender to it, but you don't with radio.

Zumba is a great dance-cardio option that's an immersive experience for participants and is not only effective but allows you to express yourself while getting in shape.

I believe AR is going to be the primary platform of the future for both work and entertainment.

I produce more movies than I write, but when I write, it is such an immersive, intense process that it probably takes as much or more time than producing multiple movies.

People learn more if they're learning in directly engaging ways.

I've always seen my movies in particular as being an immersive experience. I mean, with the technology at my disposal, I've always tried to make them as immersive an experience as possible.

That's what we're all about: delivering a really comfortable VR experience that everybody can enjoy and afford.