Quotes About Radio

I'm in love with the modern worldMassachusetts when it's late at nightAnd the neon when it's cold outsideI've got the radio on

Lo importante en los programas —radio o televisión— es divertir y asombrar; su objetivo debe ser ganar audiencia, por lo que el nivel cultural y de contenidos toca fondo, es nulo. No olvidemos la cantidad de personas que siguen estos programas.

the next largest source of information about the Holocaust came from foreign radio broadcasts

half of the German population listened to foreign radio broadcasts at some point, but many only after the fall of Stalingrad.

Even if many people had heard foreign radio broadcasts about the murder of Jews, it was by no means guaranteed that the reports were trusted.

many Germans who received information about the mass murder from other people no doubt heard it from people who themselves had heard it on the radio. Indeed, other than the sources of information about the Holocaust already mentioned, all other sources were of secondary importance at best.

brain is like a shortwave radio, mostly static that occasionally finds the station, but even then the sound isn't always clear.

So she called in. After first convincing several producers that she was, in fact, Soledad Ramirez, and had no intention of screaming "bababooey" live on air, they let

To turn the radio on and hear so much more diversity, it's so refreshing. That voice that cuts through what you've been hearing, it's inspiring.

I've got a radio that occasionally I listen to. It's portable. It's got an antenna. I've put a piece of aluminum foil on it that gives me a little bit better reception. And a refrigerator.

I refuse to listen to Rush Limbaugh. I listen to a lot of conservative radio when I drive around in my car. I refuse to listen to him because he's just ridiculous, just a clown. I love Rachel Maddow obviously.

Sometimes I'm in Boston or Washington or Chicago and think I'm in Jamaica because I hear more reggae on the radio in these places than in Kingston!

I sing in a higher register, and you haven't heard that on the radio in years.

I must have been six or seven years old at the time. My family lived on the bottom floor of a two-story house on Cruger Avenue in the Bronx, and every night at 9:30, I sat by my little radio in our kitchen and listened to a half hour of Bing's records regularly spilling out over WNEW.

You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.

Distortion pedals are just fantastic for not only rehearsing quietly but also for all those moments when you are going to play in highly compressed environments like radio, television, or recording against compressed loops.

When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.

Chuck Berry's 'Maybellene' hit the airwaves at about the time Alan Freed got to New York, and it was definitely a song I really loved and related to.

My first experience on public radio still ranks among the most embarrassing episodes of my relatively short life.

I can't tell you why, but I feel like I'm more me on radio than on television. It's because I'm more relaxed. The reason I feel that way is a mystery to me, mind you.

I love 'Saturday Live' with Fi Glover. I find that very relaxing.

In hindsight, I feel like I made the right decision to choose production that would get played on black radio.

Like most people in radio - and in magic - I'm not cool. I know people who are hip, and I can feel distance between them and me.

Yes colorism does exist if you look at historically what's happened as far as crossing over to pop radio.