Quotes About Shows

I think NBC got a little reluctant to get behind single-camera shows after 'Scrubs' didn't do what they thought it was going to do following 'Friends.'

In cop shows, the police don't get to rag on each other and rag on their commander and rag on the person they just pulled over. That was all 'Reno' was, and I think that's all cops do 90 percent of their day.

The emergence of social media in the Broadway fan's life - it's sort of a serendipitous thing for us and for a lot of shows. I always wonder what 'Rent' would've felt like through that lens.

I like to produce work for specific places, and it is difficult to do repeat shows in the same space.

Live stage shows cannot be replaced.

I think what's going to happen with linear television is it's going to become more linear. It's going to become more about events and more about award shows, live sports - all those things that, really, you can't replicate.

I feel like I've been way overexposed in the press. I'd rather play shows and represent myself in person.

When you do comedy shows, you usually don't finish until about 11 P.M. Then you have this adrenaline dump, and you get hungry.

My DVR says that I watch a lot of TV my husband likes.

I started playing in New York when I was 16. I had a fake ID so I could play shows, and, I don't know, bouncers didn't really say no to me, I guess. I'm fun!

I had so many local shows before I came back to New York, which is the ideal place to do a national syndicated show. Then I spent five years trying to convince people to give me a shot in the syndication business.

I could do nothing but Brooklyn shows for the rest of my career, and I could die ignorant.

Carbondale, Ill. is where I went to college, and it's where I first started putting on shows.

Obviously with the Internet and increased access to other means of watching shows, the audience has dispersed and is all over the place and that is a challenge.

I've had the great fortune of working with incredible people on many shows.

I've only ever really been in shows of friends, so I don't know exactly what happened. I think I'm incredibly cheap to hire. That can buy some traction. I'm as cheap as it's possible for an actor to be legally.

I was in high school and I had an independent album out, and we kept sending that out, and I was doing shows. No one really dug it. It was very Americana and had a lot of folk elements in it.

I think the part of media that romanticizes criminal behavior, things that a person will say against women, profanity, being gangster, having multiple children with multiple men and women and not wanting to is prevalent. When you look at the majority of shows on television they placate that kind of behavior.

At first I missed it, but it was the amazing energy thing that happened during shows, when a lot of people were like Yay Yay Yeah! I missed that for a while. But I don't miss the regular and the business side of that whole thing.

Shows were very different then - even as the headliner we did a very short set by today's standards and sound systems were really primitive. But the girls made it all worthwhile!

In an age where television is viewed as the best medium to 'tell stories,' narrative often stands in for substance on would-be prestige shows.

I think the rigors of a TV schedule are brutal and 'Six Feet Under' wasn't a network schedule. We did 13 shows, we didn't do 22. I don't know how people do that. I really don't. I mean the shows are shorter, but wow, it's quite a discipline.

The fact that I'm still able to wrestle on the indies and yet still do my stuff in NXT, and the fact that I wrestled in front of 15,000 people at the Barclays Center at TakeOver, and then, the following weekend, I was still doing indie shows, is wild.

When I actually started in NXT - or FCW back then - when I did independent wrestling shows, I would be lucky if the promoter would be able to find a girl for me to wrestle.