Quotes About Progression

Accepting and understanding difference is the key to progression.

Creation is the only progression there is.

Nothing is more dangerous than contentment without progression.

The moment we realise our place as insignificant, we can use our human power of the mind to build something of significance and this is what I intend to achieve; all that I wish to do is to create to contribute and to be remembered for my contribution to humanity's progression.

The passing of Time is the greatest misconception of reparation.

Underpinning it all was the love for the characters, creation and progression.

And now I'm wondering, is this what happens with MS? Does it just become a sequence of demolition to the body? Like a pattern of dating the wrong guys, slowly breaking you down until you're a shell of your old existence?

Time is only linear for engineers and referees.

First we molt, then spin a web, after this we weave, until our food is dead. Next dancing a jig, And waiting for a meal, Then we wrestle a bit Til we sit and eat our fill." Captain Muntweight

As we become scarred and desensitized to what is right and wrong, good and evil, life-giving and life-draining, we lose sight of our first love. We move away from God one degree at a time.

With a lot of shows, what you'll see happen is they start off really well, and they're very original, but they become sort of a version of themselves. They stand outside the show... they become a cliche of the show they once were. That's the whole 'jumping the shark' thing.

What I do when I act and direct is I do a small version, go a little bigger, do a medium one, an over-the-top one, and then even bigger than that. I'll do six readings of the line. And they're not all the same. Just so I know if I was wrong about what I should have done, I luckily have this more subtle version.

The early versions of 'Shell's Wonderful World of Golf' were great. It's sort of interesting: as it progressed, it became worse and worse, but the early versions were really fantastic with Jimmy Demaret and Gene Sarazen. They were classics.

Mickey Mouse did not stay the little squeaky guy in 'Steamboat Willie.' He went on to have many different versions.

We think of stories a lot of the time as being horizontal texts, beginning to end. But I love the idea of having little vertical spikes in the story, too.

When I came from horizontal vertical straight all old stuff then suddenly I go also again in curved lines. And there I submit to changes in the intensity of my hand leading a tool, you see.

Vertigo's always been a label that experiments with new stuff and forms of subversion.

Any project that I put out, I never want it to sound like the first one. It can have some vibes or stuff that matches, but I want it to be growth, progression, and you can't be comfortable when you're growing. If it feels good and it sounds good, it's good.

I started at Pillsbury as a manager in one of their analysis functions, then worked my way up the corporate ladder to become vice president. Moving to Burger King was an important moment in my career.

For me, 'Evil Urges' was like a video game. If you play 'Super Mario Brothers,' there's a level where it's like a snowscape, and then there's a level where it's a desert and a level that's like a jungle.

For me, seeing the progression of video games and consoles - whether it be PlayStation, Xbox, or whatever - I think just seeing how good they've gotten from the days when I first started playing is just amazing.

Most video games, you build up toward the big, bad boss. And it's just a bigger, more powerful version of what you've been fighting all along in the game.

In my teens and university and stuff, video games became more realistic, or they started to.

It's fun to grow with a character over the course of a TV series. Video games are usually a much more condensed process.