Quotes About Miles Davis

I've always thought that jazz needs to be heard by a wider audience in Puerto Rico. I want to put together a series of free concerts in the small towns - one with Miles Davis music, another with bebop, maybe Duke Ellington. I want younger people to see what is possible.

My first ambition in life, I made up my mind I was going to become Miles Davis. I studied music, music theory. I played trumpet for nine years. One day, my mother explained, 'You can't be Miles Davis. There's one, and he's got that job.'

I first heard Miles Davis as a student, when I was struck by his extraordinary musicianship, and his work did affect some of the sounds of Simply Red. He was one of the reasons I chose to have a muted trumpet on 'Holding Back the Years.'

I know what I've done for music, but don't call me a legend. Just call me Miles Davis.

Miles Davis was doing something inherently African, something that has to do with all forms of American music, not just jazz.

My musical influences are from the '50s: Bill Evans, Miles Davis and Ahmad Jamal.

It's called 'Miles Davis, Prince of Darkness,' and it's about Miles Davis, the genius, and why he was the way he was, and how he changed music so many times. He changed music six times. So, I'm excited about that movie.

I just really liked those trumpets and horns - Miles Davis, Dizzy Gillespie - and I honed in on that. I always looked for those big horn lines.

I was listening to a lot of bebop. And to Miles Davis. Everyone thinks I was just in the folk world in 1966, but in 1963 and 1964, I was absorbing enormous amounts of music, from baroque to jazz to blues to Indian music.

If we are going to list guitar influences, the biggest one by far is Wes Montgomery. Also, Gary Burton was obviously huge for me in a number of ways. But beyond that, Clifford Brown, Miles Davis and Freddie Hubbard.

For me, a wake-up playlist completely depends on what mood I'm in. If I need to get into action pretty quick, it will be between Beyonce and Miles Davis. I'm a massive Beyonce fan, and all of her anthems will do it for me. And Miles Davis, because I grew up hearing his music because my dad played it a lot, so that will always be special to me.

The Angel Gabriel disappeared once for sixty years and they found him on earth hiding in the body of a man named Miles Davis.

he'll tell me useless angel stories—of how Gabriel disappeared once for sixty years and they found him on earth hiding in the body of a man named Miles Davis, or how Raphael snuck out of heaven to visit Satan and returned with something called a cell phone. (Evidently everyone has them in hell now.) He watches the television and when they show an earthquake or a tornado he'll say, "I destroyed a city with one of those once. Mine was better.

I love nineties stuff like Alice in Chains and Nine Inch Nails. It'd be my dream to have a Radiohead-themed episode of 'Glee.' I also love jazz greats like Coltrane, Miles Davis, and Herbie Hancock.

Miles Davis was a part of my life from 1947 on. I was born in 1941 and I first heard him in 1947 on a 78 rpm. And then I followed his career, starting with his first solo album in 1951. He was an icon and inspiration and a mentor to me.

Miles Davis said there are two categories of thinking: the truth and white bullshit. The national anthem is white bullshit.

I work with many jazz artists as Miles Davis, Laughlin, etc.. One of the things all these artists had in common is that they had no fear.

The music I was really listening to in 1968 was James Brown, the great guitar player Jimi Hendrix, and a new group... Sly and the Family Stone, led by Sly Stewart from San Francisco.

I used to be friends with Miles Davis. He didn't like many folks. I lived across the street from him.

See, we started out with a foundation of blues. But then we added people like Miles Davis and John Coltrane to the mix and gave rock n' roll a much more complex structure. It made it possible to play more than three chords.

The starting point of all great jazz has got to be format, a language that you can work within that, in some ways, is much tighter than the blues or even gospel. It's all working towards the same destination - the difference being that Miles Davis flew there, and I'm still taking the subway.

I never considered Miles Davis a perfectionist; I always considered him as an excellence-ist, where deviation is actually kind of cool.

I'm a fiend when it comes to good pastry, and the French make the best as far as I'm concerned.