Quotes About Dark

Love and desire are said to be no more than cousins, and I had found it so until I walked with Jolenta's flaccid arm about my neck. But it is not really true. Rather, the love of women was the dark side of a feminine ideal I had nourished for myself

I, myself, have killed six people. All random, all undetected, no way to trace them to me. And, let me tell you, there's nothin' like it. It's a great feeling. Yeah, I know, you're thinking. 'Aw, he's a comedian. He's just sayin' that stuff.' Good. That's exactly what I want you to think.

I simply go about my passage swiftly and silently, with a certain deliberate, dark efficiency.

Sometimes in the dark of night I begin to think. And I wonder if Lee started all this violence.

I have been known to play a few rounds in my time. I'm not obsessive; I don't play in the dark, but even that's not out of the question because Stevie Wonder is also a golfer.

The last Christmas movie I really liked was 'It's a Wonderful Life,' probably. It's sort of a schmaltzy movie, but it's not without its dark moments. It still gets to me every year.

I didn't like books where people played on a sports team and won a bunch of games, or went to summer camp and had a wonderful time. I really liked a book where a witch might cut a child's head off or a pack of angry dogs might burst through a door and terrorize a family.

If you look closely, there is no book more visual than Three Trapped Tigers, in that it is filled with blank pages, dark pages, it has stars made of words, the famous magical cube made of numbers, and there is even a page which is a mirror.

Richard Nixon is typically considered the modern exemplar of a dark and vindictive president. President Trump would be Nixon minus the keen intellect and work ethic.

It's just interesting that people don't really know about the roles that I play that are darker. I kind of do a huge blend of really big light things but also really dark indie things, and it just sort of happens to work out that way.

I understand why creative people like dark, but American audiences don't like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.

With 'The Humans,' I've found that because it's related to very familiar forms - the family play and the thriller, almost a genre-collison play - some people want it to be one or the other. Either less dark and more of a family comedy or a full-fledged thriller with blood and ghosts jumping out of closets. Everyone's taste is different.

I think the difference between 'Heavy Rain' and 'Beyond' is that 'Heavy Rain' still had a lot of references to films. Especially in the mood, and it was a dark thriller... where, in 'Beyond,' we tried to create something truly original and doesn't refer to anything.

People don't call them horror movies, but Hitchcock, for me, is my favorite storyteller. He was really exploring dark themes, and I don't know what category you put his movies in. Thriller? Horror? Some of them go in either one.

I'm extremely excited about working with Troika on 'The Hive.' This script has two elements I always look for in a thriller - strong, believable female characters and a smart, very dark and very creepy story that will definitely resonate with large audiences.

I prefer thrillers but when it's thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.

I do like the dark, gritty psychological thrillers, but sometimes we need a little respite from that.

I've always been a huge fan of thrillers like David Fincher's 'Se7en.' I am fascinated by the disturbing, dark underbelly of life. I find such films deeply engrossing. They delve deep into the human psyche, and that's a place worth exploring.

I like films that are gritty and hard-hitting and suspenseful. Thrillers, too.

Women who write thrillers are called 'dark.' Male writers are called 'powerful.'

To me, the best comedies get a little dark, and the best thrillers are a little bit funny. So I'm not exactly sure where I draw the line between the two.

I'm a big believer in small, dark, cozy bedrooms. I would describe myself as introspective - I feel things first, and then I think them through - and I need the enveloping comfort of a little squirrel's nest when I have to retreat from the world to recharge.

'The W' was real dark to me. Out of all the Wu-Tang albums, I like the first one and the second one. When 'The W' came into play, and the other ones, I felt they were just thrown together fast. Everyone got their money, and it was just like, 'Whatever, whatever, whatever.' 'The W' was a real dark album.

My Nirvana experience was much different than the other three guys. For me, it was really new and exciting. I was just a guy from a punk rock band, thrown into this huge thing. There were dark periods, too. But there wasn't a dark cloud over the whole thing.