Quotes About Dark

There is no heaven or afterlife for broken-down computers that is a fairy story for people afraid of the dark.

The Spirit of Dark and Lonely Water

I knew then that they had been men, neither gods nor demons. It is a great knowledge, hard to tell and believe. They were men they went a dark road, but they were men. I have been in the Place of the Gods and seen it! Now slay me, if it is the law but still I know they were men.

Between screams, Mom managed to cover the snake with a bucket, which she duct-taped to the floor, so that when Dad came home from work eight hours later in a suit and tie he found, in the dark, an enraged reptile—coiled and claustrophobic—waiting to strike. He just managed to slide a copy of the REO Speedwagon album You Can Tune a Piano, but You Can't

On those early mornings, it is dark and normal people are still in bed.

If you are in any way squeamish or genteel, skip 'Gillespie and I.' If you'd like to know a little more about the seamy side of the human condition, by all means, pick this one up.

I feel like a lot of serious music lives in generalizations - 'Love is a flower,' 'The sky is so dark' - but comedy lives in specifics.

'Ravenswood' is horror. It's not slasher, but it's psychological and spiritual horror.

I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.

I reached for sleep and drew it round me like a blanket muffling pain and thought together in the merciful dark.

When I was 14, 15, 16, I was wearing 'Edward Scissorhands' and 'Nightmare before Christmas' stuff. I saw 'Sleepy Hollow' a dozen times.

We are sliding back into a dark era, and there seems little we can do about it. I am profoundly depressed at just how difficult it has become merely to get a realistic conversation started on issues such as climate change or genetically modified organisms.

A lot of writers, especially crime writers, have an image that we think we're trying to keep up with. You've got to be seen as dark and slightly dangerous. But I'm not like that and I've realised that I don't need to put that on. People will buy the books whether they see a photo of you dressed in black or not.

The more cerebral, slightly darker comedy stuff is where I love to live.

I wanted to tell a romantic and dark side of Ottoman history that was also slightly political, saying to the previous generation of writers, 'Look, I'm interested in Ottoman things, and I'm not afraid of it, and I'm doing something creative.'

I've been pretty lucky - or slothful - in that I've never been a 'career builder.' I take the jobs that come along that feel right, and that's left me fairly open to all genres, really. But with 'Caprica,' the complex, dark and very smart script was the draw.

You live these three months in this reality, in this dark reality. You don't want to do those films every year because they're taxing. I started smoking a lot of cigarettes.

I like a kind of dark, bronze-y brown smoky eye with maybe some mascara, some contouring and stuff, but I don't like wearing black or pinks. I like it more tonal.

I make sure to eat 30 grams of raw dark chocolate almost every day - it's one of the best snacks that's both delicious and guilt-free.

I just loved Jake The Snake because of that character and how he cut a promo. That dark nature of his character was amazing.

I remember seeing re-releases of 'Snow White and the Seven Dwarfs' and 'Bambi' in the theater very young. They had huge impacts on me, particularly the dark aspects.

He was too frightened to speak. This was no hallucination. This was what happened to the universe when you were no longer able to hold it together. Atoms in clusters, rays of light, forming ephemeral shapes before moving on. His greatest fear, as he dissolved into the dark, was that he would never see other humans the same way again.

Perhaps [transgression] is like a flash of lightning in the night which, from the beginning of time, gives a dense and black intensity to the night it denies, which lights up the night from the inside, from top to bottom, yet owes to the dark the stark clarity of its manifestation, its harrowing and poised singularity.

Every demon loves Sweeney Todd, you know. It's kind of a given.