Quotes About Harlem

It is axiomatic that the Negro is religious, which is to say that he stands in fear of the God our ancestors gave us and before whom we all tremble yet. There are probably more churches in Harlem than in any other ghetto in this city and they are going full blast every night and some of them are filled with praying people every day. This, supposedly, exemplifies the Negro's essential simplicity and good-will; but it is actually a fairly desperate emotional business.

He had never seen the beauty of black people before. But, staring at Ida, who stood before the window of the Harlem kitchen, seeing that she was no longer merely his younger sister but a girl who would soon be a woman, she became associated with the colors of the shawl, the colors of the sun, and with a splendor incalculably older than the gray stone of the island on which they had been born.

Marcus Samuelsson is a chef who inspires me everyday. He has such a deep understanding of flavors and techniques. His food is representative of the diverse world that we live in. What he has done in Harlem with Red Rooster is very special. Marcus is not just a chef, he's a food activist.

Profound as its intellectual and artistic interactions had been, the Chicago Black Renaissance never dented the city's consciousness the way the Harlem Renaissance created a mythic Black New York.

Harlem is a very family-oriented neighborhood, and it always has been.

I'm from the burbs. I've been in the hood, but I don't live there. I have lived in the hood, but I don't live there anymore. I lived in Harlem, and that was crazy, even though Harlem is a lot nicer than it used to be.

Reno was somebody from the streets. I think he took to me because he saw me as somebody from the streets, somebody who hated to see the sun go down on Eighth Avenue, who would run up on Amsterdam Avenue, follow the sun down the hill, across Broadway, to the Drive and the Hudson River, and then would wait for the sun to come back. I guess Reno thought he'd found somebody who was destined to be in the streets of Harlem for the rest of his life.

He felt unreal those days of the riots when his streets were made strange by violence. Despite what America saw on the news, only a fraction of the community had picked up bricks and bats and kerosene. The devastation had been nothing compared to what lay before him now, but if you bottled the rage and hope and fury of all the people of Harlem and made it into a bomb, the results would look something like this.

Take Harlem's heartbeat, Make a drumbeat, Put it on a record, let it whirl, And while we listen to it play, Dance with you till day— Dance with you, my sweet brown Harlem girl.

Well, I was looking for Justice," said Simple. "I was tired." "Tired of what?" "Of hearing the radio talking about the Four Freedoms all day long during the war and me living in Harlem where nary one of them freedoms worked--nor the ceiling prices either.

I pass for a hypersensitive, reclusive neurotic, which I may well be, but I hope the year won't come when my anxieties and fatigue will destroy my love of this life, of all the things that inspire me--a line of music, a face in a Vermeer portrait, a character in an opera, or a model born in Harlem.

You may go from the Battery to Harlem, and in our monuments and statues of public men you will see the slavish adherence to Greek and Roman ideals, from which our artists cannot get away.

I do remember the numbers runners, I do remember the poverty and bread lines. Harlem stays with you forever.

With 'Dope Walk,' I wanted to bring back kids dancing and having fun again. That's how it used to be in Harlem. I remember everybody Harlem-shaking and 'Chicken Noodle Soup'-ing. Those were some of the most fun and memorable times in my life.

I'm sort of obsessed with Harlem. Just its history. My father did the music for a play called 'The Huey P. Newton Story,' and they did a lot of work in Harlem. So as a little girl, I spent a lot of time in Harlem Library.

Why doesn't anyone care that the schools in Harlem have been unsuccessful for half a century? Why is this not a big deal? To me, it's a terrible deal.

It's about stories. If I can tell the story to America, whether it's Riesling or a boxer from Harlem, it will sell. I know on my gravestone it's going to be, 'Storyteller.'

I trained with the American Theatre of Harlem, and by the grace of God, that was my foundation to understanding the art of storytelling and understanding that I'm blessed to be in a play.

Harlem was home; was where we belonged; where we knew and were known in return; where we felt most alive; where, if need be, somebody had to take us in. Harlem defined us, claiming our consciousness and, I suspect, our unconsciousness. (Page 64)

Harlem's streets lead backward, into history, straight to a work such as 'This Was Harlem.'

As one who loves literature, art, music and history, I've been deeply rooted in the Harlem Renaissance for many years.

We are drawn to the Renaissance because of the hope for black uplift and interracial empathy that it embodied and because there is a certain element of romanticism associated with the era's creativity, its seemingly larger than life heroes and heroines, and its most brilliantly lit terrain, Harlem, USA.

Harlem for me is Atlanta, Las Vegas, and Washington, D.C., in one place. You have very significant churches that have had national ramifications. At the same time, you have politics. On top of all that, you have entertainment because you have 70 years of music that came out of here, and if you scratch that, gangsterism happens.

I was born in Harlem, raised in the South Bronx, went to public school, got out of public college, went into the Army, and then I just stuck with it.