Quotes About Design

Whether it's digital or physical, a pencil or a pen: line work. Humans are making things. And out of that comes the entire designed world we live within.

The Peninsula - it's a combination of great service and good design.

People say I design architectural icons. If I design a building and it becomes an icon, that's ok.

You know that's history, that's why some people say that my stuff is retro, but I don't agree.

I like clothes and fashion. It's a hobby for me and I really enjoy being part of it, so it's nice when people say: 'He can dress quite well.'

People say I am the king of painful shoes.

One thing I learn - I've been in practice now for half a century or more, and the most important ingredient for an architect to do a good building is to have a good client. I think a client counts for as much as fifty per cent.

I am obsessed with proportion, and how proportion is perceived.

A lot of magic is designed to appeal to people visually, but what I'm trying to affect is their minds, their moods, their perceptions.

My aim is to change people's perceptions of what a hat can look like in the 21st century.

Perfection would be something that you see in 'Architectural Digest.'

In this fast-developing world, particularly in the fast-transforming China market, we really need to take this opportunity and offer a modern interpretation of Scandinavian design which fits people's demands perfectly.

When I think of Uniqlo, I think of things that are perfectly made, that people have spent a lot of time considering.

Everything I've designed is intended not to match perfectly but to sit together in harmony, to add flair and personality to any room.

Puma was all about function and not at all about design. The founder of the company always believed functionality and performance were the only ingredients that could make Puma successful and design never mattered.

What I do is create images, period.

What makes architecture extraordinary is that you're looking at the building, but your peripheral vision is also seeing how it fits within a space. And it's seeing more than one part of the building at one time.

I actually started my career interning at Perry Ellis and got to work with Marc Jacobs.

Thus, with the good we have the bad: we have the opposed movements of a dancer guided by one artistic plan; we recognize in his steps the good as against the bad, and see that in the opposition lies the merit of the design.

I'm only certain that nothing is forever. No matter how carefully you design a system, it will go bad and die.

Try to create. I want to tell people to create. Just start by creating your day. Then create your life.

Creativity is nothing but the way to design the invisible.

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If architecture is frozen music then music must be liquid architecture.