Quotes About Design

Design firms and progressive companies rely on many of the same tools: rapid prototyping, observational research, creative thinking, collaborative work environments, and multidisciplinary teams.

I don't use tools to create things, but I use them to realize things.

A well-conceived product excels at what it does. It's close to being functionally flawless - like a Ziploc bag, a radio from Tivoli Audio, a Philips Sonicare toothbrush, a Nespresso coffee maker or Google's home page.

Every single item that we come into contact with on a daily basis has been designed by an artist. From the toothbrush we use in the morning, to the defibrillator that could save our lives, an artist is behind the design.

When I design buildings, I think of the overall composition, much as the parts of a body would fit together. On top of that, I think about how people will approach the building and experience that space.

Pick up a sunflower and count the florets running into its centre, or count the spiral scales of a pine cone or a pineapple, running from its bottom up its sides to the top, and you will find an extraordinary truth: recurring numbers, ratios and proportions.

If you want to make a serious, rugged, reliable robot, you can start with the Create platform and just build stuff on top of it.

I was one of the more talented ones at the design firm I joined, so I conducted my work pretty shrewdly. Except I wasn't a morning person, so I was quite frequently late for work. On top of that, it was a fairly big company, they were fussy about the dress code, and I got chewed out quite often.

Many people think that being a graphic designer means going to an expensive art school and buying expensive software that will cost you thousands of dollars. This is so far from the truth. There are hundreds of online education centers that offer top-notch graphic design training.

I had given a presentation on design and happiness for quite a long while at design conferences. I had found thinking about the topic helpful for my own practice, as it forced me to consider the fundamentals, and the feedback from the audience was always enthusiastic.

Although we're architects, we believe we do culture; architecture is culture, and the topics we tackle will always arise a broader debate.

I have never engineered a record. I will draw a record and I'll show you what it's gonna look like. And I will design it and sketch it out and show you, you know, the breaks are coming in here. Sixteen bars. Move out. 32 bars and you get this baseline. Repeat this. Ghost it. Take the tops out of that. Make it go thin. Get a filter. Reverse it.

A big part of the fun of working on Superman has been coming up with new characters and concepts to toss in, helping to design their costumes, things like that. And I spent ages coming up with the name 'Fortress of Solidarity,' so I want to get as much use out of it as I can!

There's design, and there's art. Good design is total harmony. There's no better designer than nature - if you look at a branch or a leaf, it's perfect. It's all function. Art is different. It's about emotion. It's about suffering and beauty - but mostly suffering!

I was a total fashion insider who became an outsider when I did bridal.

My early colleagues and myself helped create the life styles of Americans and, by osmosis, of the rest of the world. I found it difficult to reconcile success with humility. I tried it first, but it meant avoiding the very essence of my career - total exhilaration and the ecstasy of creativity.

A lot of people think a high armhole is restrictive, but it gives you total movement because it's cut right up to your arm.

If you have total freedom to design, you won't get anything interesting. So I give myself restraints in order to kind of push myself through, to create something new. It's the torture that I give myself, the pain and the struggle that I go through.

One of the neat things about Gearbox that I love is, we don't look at our designs as a totalitarian regime and we're all really happy to let designers and creators within the studio explore in our space.

'LaFerrari' means 'the Ferrari.' The excellence. In this car, we put everything we are able to do. Our extreme technology, extreme experience, extreme capability. And this has been the first Ferrari totally designed in our design center.

I sit, I think, I make some drawings. As a designer, you cannot retire totally.

Ritu Kumar's clothes are totally great. Her embroidery is perfect. She lives up to her name over and over again.

My former assistant used to tell me I have a problem with cushions and she was totally right. The reason is because I'm constantly rearranging things in my house. And if I can't move a whole piece of furniture, the easiest thing to rearrange is cushions. I like to keep things fresh.

As the reducibly complex mousetrap reminds us, we shouldn't let the intimidating sophistication of the final product trick us into thinking that it couldn't have come about via numerous small steps.