Quotes About Design

Work therefore is designed to release all this abundance of wealth hidden inside everything.

If there is no perfection of a work, be sure the perfection of a plan.

I've always been a bit of a decorator. I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain; I have to have things looking interesting... maybe I'm just a frustrated interior designer stuck in a singing career.

If you are a new, upcoming designer, you've got to think of new, cool ways to make the industry look at you. Don't just get stuck in a rut, show your clothes, and be like, 'You should like this.'

I was a directing student and a production design student at Carnegie Mellon. I went in as a production design student and became a directing student.

Architects have created this fake separation between creation and execution. You can see it in architecture schools, where the students look down on going to contracts classes.

I don't make things with my hands, although I studied woodworking and made furniture.

I studied literature design and fashion design.

I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.

Well, I design costumes because I started with the theater in Chicago, but somehow a few lines just sort of fell to me to do it. And I studied it in school and I always liked it.

I studied at a time when buildings were sterile things, and their creators were hands-off people - super-intelligent people, but you felt they didn't love the stuff buildings are made from.

Layering in different patterns will keep things from appearing too studied.

Every time I meet with the CEO of a big laptop company, they tell me they 'studied' my design.

I studied Computer Science when I was in my undergrad and minored in Digital Art & Design.

I feel really honoured and happy to be part of the P. C. Chandra team. It's my first jewellery endorsement, and because I have also studied jewellery design, it's something very close to my heart, and I feel very happy being associated with the brand.

My real background was in art studies. At the beginning I was a painter, then I was this graphic designer, then I became an illustrator, then I was a comic artist. But for me it's a different way of expression, a different field of art. They're not separated; everything for me is related.

A great dream of mine would be to run a design studio full of scientists who think about science as creatively as if they were doing art.

I think taking design out of the studio and really having a relationship with the people that you're making it for really convinced me of how powerful a thing design is. It's not just an aesthetic decoration.

I've always said I'm not the kind of designer who likes to lock himself away in a studio and let the rest of the company deal with it. I work very closely with everyone on the team.

Just when I think I hate fashion, I hate clothes, I'm seized by this crazy thing that I have to do. I have this little studio now where I just draw. I can be in the room for three days and not even look up.

I like the gritty parts of fashion, the design, the studio, the pictures.

I am always locked in my design studio.

Studios are designed to pull out all of that beautiful ambience you get from singing in a room, and then the engineer puts it back in digitally or through whatever machinery you've got.

I've got a design for an airship in my head, which I'm going to play around with. I've got ideas for buildings and studios and all kinds of stuff.