Quotes About Platforms

With great power comes great responsibility. These are platforms with hundreds of millions of people.

That's very, very important to me, to give another narrative. And Netflix has not been afraid of doing that, as we see from the plethora of shows that they have, from British shows to American shows like 'Master of None,' which I've been very grateful to be on, too. Just giving platforms to people who haven't seen themselves on TV.

A lot of times we work across multiple platforms. We'll go to Japan working on the tsunami for 'Nightly News' and it'll end up on 'Dateline.'

The personal things should be left out of, in my opinion, out of platforms and conventions.

With platforms like Netflix, things are evolving as they are making content-driven films and series.

The immediacy of the mobile changes it from what we're accustomed to in the personal computing world to something that's instantaneous... What's interesting and powerful about the mobile environment is that it's connected to services on the Internet. This augments both platforms.

We need to eliminate hate speech. We need to do our part to really engineer kindness on our digital platforms.

Social media is one of my least favorite media platforms.

People know the facts of a story just as well as the people on TV do, and they have more platforms to hold the media accountable when they don't get it right. We are a world full of media experts. That's a great thing.

At the Big Bad Lab, we build participatory art and media platforms for causes, communities and organizations we care about.

On open platforms like PC, Mac, and Android, Epic's goal is to bring its games directly to customers.

Our developers will make great games for whatever high-end platforms exist.

Everything that works on the Internet depends on a lot of people collaborating, but there's also these rules that you see across all the really successful platforms. Many, many, many more people consume the information or benefit from the information than actually contribute the information.

The model of getting the consumer to come to you is old, and the new model is how can you get to the consumer on their terms, in ways they want to engage in. How people are choosing to interface with content is very different. You've got to marry different platforms.

What's encouraging is that the early new platforms - Kindle and iPad - are clearly leading to people buying more books. The data is in on that.

For me, shoe-wise, platforms give me the same height that I need, but they're not as taxing on my feet.

As Android, iPhone and other mobile platforms grow, we are moving away from the page-based Internet. The new Internet is app centric and often message-centric.

Being able to work on a more constrained project now and then is rewarding in a lot of ways, and of the available small platforms, I think that the iOS platform is clearly the best.

The platforms that are big, global, diversified, and both financial and physically enabled are competitively much better positioned than those which are not.

If you want a database, you don't go out and say you're going to write it. I see platforms as going in that direction.

Television is really fertile ground, and it's because of platforms like Netflix and Hulu and, of course, the cable channels like HBO and Showtime.

We look to find partners whose values align with that of our artists. We also look for unique platforms that the potential branding partner can provide. Sometimes that's distribution, and sometimes it's an advertising platform. Each situation is unique.

The consumption of highlights on ESPN is greater than everybody else's combined. Fifty-six percent of all news and information consumed in sports is consumed on the ESPN platforms.

There's a real difference now in what you can get out of film and the rise of digital platforms.