Quotes About Camera

I've always been the goofy kid. Growing up, I always enjoyed the comedic aspect of relating to women. Even on camera, it was always the funny take on it.

I have a really dry sense of humor. I don't think it's funny when people wink at the camera. That's more of an actor thing, just committing to whatever the thing is.

When I'm 32? Hopefully I'll have made my mark with a few different movies, some scary ones and some comedies. I'm really funny, I have a great personality on the camera.

I don't get a chance to be funny on camera as often as I would like.

A film is never really any good unless the camera is an eye in the head of a poet.

I had to run back the drone's camera feed to catch up, I had been so busy conquering that burst of non-annoyance.

And of course I had a camera on the unfolding shitshow on the observation deck.

She claimed she loved the camera, its warmth, its familiarity. She responded to its naked glare, its slavish attention to every expression of her face and body, with the kind of immediacy a trusted lover could expect.

There are few things more nerve-racking than trying to act normal with a camera in your face and someone shouting at you to "act normal.

I think I'm becoming more relaxed in front of a camera. I suppose I'll always feel slightly more at home on stage. It's more of an actor's medium. You are your own editor, nobody else is choosing what is being seen of you.

This acting's serious! And I really respect those actors. It's a tough business to be able to be something you're not and be natural and convince people on camera.

The function of camera movement is to assist the storytelling. That's all it is. It cannot be there just to demonstrate itself.

We did not stage kiss because we didn't know any better. It was just lights, camera, tongue-dance.

Memory is a Polaroid camera, where from the negative of the film of bad impressions, from the emptiness of nothingness, a touching nostalgia manifests itself.

Memory is a Polaroid camera, where touching nostalgia manifests itself from the negative of the film of bad impressions, from the void of nothingness.

Life is like a camera, focus on the good times, develop from the negatives, and if things don't work out, take another shot.

Shigure: "What's in the camera? Huh? Huh? What is it?" Hatori: "Quiet, you hack.

Moisture from the camera trickled down her neck, as far as the collarbones, which rose and fell, rose and fell. I wondered if the water would still be cool or whether it would have warmed running down her skin.

We performed in front of the camera with unabashed joy, as if we lived only for that moment. And in fact we had, for our work did not stand the test of time. Our images -- quite literally -- crumbled.

His only regret is that the little camera can't take a picture of itself.

A film is never really good unless the camera is an eye in the head of a poet.

A photograph tells the story of two lives simultaneously, the one in front of the camera as well as the one behind.

Well, you've heard my old nickname, haven't you?" Rudy shook her head. "Murphy the human tripod." Rudy's jaw dropped as Murph wiggled his eyebrows. "Sadly, it's because I used to have a camera holding fetish.

From my small terrace I caught the moment when drapes of cloud dropped upon the ground. I had never seen such a thing and lamented I was without film for my camera. On the other hand I was able to experience the moment completely unburdened.