Quotes About Literary

A bumptious, outgoing soul, Tillotson would later earn a footnote in literary history as the doctor whose electroshock therapy so traumatized Smith College junior Sylvia Plath that she attempted suicide shortly thereafter.

Whether thou choose Cervantes' serious air,Or laugh and shake in Rabelais' easy chair.

Gore Vidal was a man of immense literary talent, some of which he used well, some of which he wasted.

Authors I've longed to write like - but realize I actually can't even begin to - include Poe, Gabriel Garcia Marquez, Kafka, Daniil Kharms, Witold Gombrowicz, Emily Dickinson, Robert Walser, Barbara Comyns, Ntozake Shange, Camille Laurens, Zbigniew Herbert, and Jose Saramago.

No, I don't know any Emily Dickinson poems!

Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.

Alice Oswald. With Hughes and Heaney gone, people are looking around for the best British and Irish poets. Oswald is one of our finest.

I read a lot of sci-fi when I was younger. Loved it from the literary point of view.

He wrote short and he wrote often, which tended to obscure the fact that he wrote well. Unless it leads to obscurity, brevity is rarely praised (or employed) in the journals of, ah, serious literary criticism, and frequency is often equated with frivolity.

Obviamente me siento mucho más cerca de John Berger o de Calvino que de García Márquez.

of the true, humanistic spirit of the ancient Latin and Greek literatures and the fresh attention to literary

Although most early Christian prophecy was oral, not written, John had plenty of models for a written prophecy, both in the prophetic books of the Hebrew scriptures and in the later Jewish apocalypses. In its literary forms what he writes is indebted to both kinds of model.

the images of Revelation are symbols with evocative power inviting imaginative participation in the book's symbolic world. But they do not work merely by painting verbal pictures. Their precise literary composition is always essential to their meaning. In the first place, the astonishingly meticulous composition of the book creates a complex network of literary cross-references, parallels, contrasts, which inform the meaning of the parts and the whole.

The method and conceptuality of the theology of Revelation are relatively different from the rest of the New Testament, but once they are appreciated in their own right, Revelation can be seen to be not only one of the finest literary works in the New Testament, but also one of the greatest theological achievements of early Christianity. Moreover, the literary and theological greatness are not separable.

The Bible should be taught, but emphatically not as reality. It is fiction, myth, poetry, anything but reality. As such it needs to be taught because it underlies so much of our literature and our culture.

understand better the world in which it was born and how inextricably connected it was to that world; to appreciate the wonder of how it came together; to appreciate that literary study and historical study of the Bible are not enemies, or even alternatives to one another. Rather, they enrich one another. Whether one is a Christian or a Jew or from another religion or no religion, whether one is religious or not, the more one knows of the Bible the more one stands in awe of it.

Physical vision - one might say scientific vision - brings about a metaphysical shift in the observer's view of reality as a whole. The geography of the earth, or the structure of the solar system, are in an instant utterly changed, and forever. The explorer, the scientific observer, the literary reader, experience the Sublime: a moment of revelation into the idea of the unbounded, the infinite.

Sully grinned down at her. "We wear the chains we forge in life, old girl." Miss Beryl blinked. "Who'd have thunk it? A literary allusion from the lips of Donald Sullivan. I don't suppose you remember who said that." "You did," Sully reminded her. "All through eighth grade.

George Washington Cable in the nineteenth century and, in Wright's own time, William Faulkner.

Popular versurs literary—a false divide?

Popular versus literary—a false divide?

Since I was a girl I always felt as if I would like to write stories. I never had that ambition or shine to make a name; first place because I knew what time and labor it meant to acquire a literary style. Second place, because whenever I wanted to write a story I never could think of a plot.

You can't write novels about people who are timid, risk-averse and passive. Or you can, but they're called literary novels.

If you'll curtail your literary pursuits a moment I'll introduce you to my counterpart and Nemesis; I would be trite and say, 'to my better half,' but I think that phrase indicates some kind of basically equal division, don't you?