Quotes About Classics

My goal for children's books is to have them become tableside or bedside classics. To me, it would be awesome to write a book that every kid would end up reading at some point in their life because influencing kids in a positive way at such a young age is really cool.

I'm a child of the Disney Renaissance, so the new classics are near and dear. I suppose this is a legend more than a fairy tale, but 'Mulan' is easily my favorite. Not only is it a fun, action-packed, beautiful movie, but it's so important for young girls to have.

The Classics are those books which constitute a treasured experience for those who have read and loved them; but they remain just as rich an experience for those who reserve the chance to read them for when they are in the best condition to enjoy them.

It's embarrassing to admit how many times I've reread the following: 'A Tree Grows in Brooklyn,' '1984,' 'Lord of the Flies,' 'The Heart Is a Lonely Hunter,' 'Germinal,' 'We Have Always Lived in the Castle,' and 'A Moveable Feast.'

People who go to concerts hear Beethoven's symphonies hundreds of times, but 'Star Trek' is recorded, so it's not played all the time.

I'm not into trends, but more enduring classics and styles.

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I'm not someone who has a list of great books I would read if I only had the time. If I want to read a particular so-called classic, I go ahead and read it. If I had more time, I would certainly read more, but I'd read the way I always do - that is, I'd read whatever happened to interest me, not necessarily classics.

I can't pretend at how much I object to all of the plays that keep being brought back over and over again, the so-called classic plays. I mean how many times can we see 'The Glass Menagerie?'

I used to have a great love for Dostoyevsky and Tolstoy, the big boys of the last century.

For Brian McNaughton seems to have mastered one of the most difficult of literary arts: to draw upon the classics

I am speaking of University Education, which implies an extended range of reading, which has to deal with standard works of genius, or what are called the classics of a language: and I say, from the nature of the case, if Literature is to be made a study of human nature, you cannot have a Christian Literature. It is a contradiction in terms to attempt a sinless Literature of a sinful man.

She loved the classics and believed in reading out loud.

I'm trying to read more dead people because I keep having to read stuff for juries and so forth.

Like every actor I too have some 'classics' in the closet, but I am not keen on adding to that collection.

I've read Proust and Stendhal. That keeps you in your place.

'King Lear,' I've been seeing all my life. I mean, the great actors of my lifetime... to join their company, as it were, by playing a part that's challenged them, is one of the great joys of being an actor who does the classics.

Confucius - or Kongzi, which means Master Kong - was not born to power, but his idiosyncrasies and ideas made him the Zelig of the Chinese classics.

The Beauties" by Anton Chekhov, "The Doll's House" by Katherine Mansfield, "A Perfect Day for Bananafish" by J. D. Salinger, "Brownies" or "Drinking Coffee Elsewhere" both by ZZ Packer, "In the Cemetery Where Al Jolson Is Buried" by Amy Hempel, "Fat" by Raymond Carver, "Indian Camp" by Ernest Hemingway.

Tess of the d'Urbervilles, Johnny Got His Gun, A Farewell to Arms, A Prayer for Owen Meany, some years Wuthering Heights, Silas Marner, Their Eyes Were Watching God, or I Capture the Castle. Those books are like old friends. "When

Tess of the d'Urbervilles, Johnny Got His Gun, A Farewell to Arms, A Prayer for Owen Meany, some years Wuthering Heights, Silas Marner, Their Eyes Were Watching God, or I Capture the Castle. Those books are like old friends.

Then there are the books I teach every year: Tess of the d'Urbervilles, Johnny Got His Gun, A Farewell to Arms, A Prayer for Owen Meany, some years Wuthering Heights, Silas Marner, Their Eyes Were Watching God, or I Capture the Castle. Those books are like old friends.

Sir Thomas Beecham once said this at the Liverpool Philharmonic Hall when I was there as a boy. He said 'I'm often asked why operas survive generation after generation—La Bohème and things like that. And I always reply. 'They survive because they consist of bloody good tunes'.

It has always seemed to me a pity that the young people of our generation should grow up with such scant knowledge of Greek and Latin literature, its wealth and variety, its freshness and its imperishable quality.