Quotes About Mendelssohn

Conducting is a natural way to participate in one's own music. Almost every 19th-century composer Mendelssohn, Mahler was conducting or playing his own music. Mozart did both.

Judaism was not a religion but a law.

Mendelssohn I consider the first musician of the day; I doff my hat to him as my superior. He plays with everything, especially with the grouping of the instruments in the orchestra, but with such ease, delicacy and art, with such mastery throughout.

Both state and church have as their object actions as well as convictions, the former insofar as they are based on the relations between man and nature, the latter insofar as they are based on the relations between nature and God.

In Dresden, Sylvia Morris witnessed the ransacking of the Jewish department store - Etam's [on Kristallnacht, 9 November 1938]. 'Dresden had been peaceful and not pro-Nazi so this was a major event,' she recalled. 'We girls in the Töchterhaus made our terrified landlady go to the store to buy things. We opened all the windows and sang Mendelssohn songs as loudly as we could.

Mendelssohn's Hebrides Overture,

The detectives slide back on the digital timeline to the moment when Mendelssohn steps out into the snowstorm: there is something of the Greek epic about it, the old gray man with his walking stick, venturing out, into the snow, out of frame and away, like an ancient word stepping off a page.

Do you believe in God? "I believe in the divine: Mendelssohn is divine. "I believe in grace: All natural movements are graceful. "I believe in the mystical mathematics of heaven, which is to say grace beyond the algorithm of causality." What about out-of-body experiences in those just returned from death's brink? "Hell, one has a vision of heaven all the time!

But dogmatism—or the inclination "to identify the goal of our thinking with the point at which we have become tired of thinking"—is so natural to man that it is not likely to be a preserve of the past. [Citing Lessing's January 9, 1771 letter to Mendelssohn.]

I developed an anger at [Moses] Mendelssohn. Later, I read the book. I realized there was nothing subversive in it.

When the student has her voice under complete control, it is safe to take up the lyric repertoire of Mendelssohn, Old English Songs, etc. How simple and charming they are!

That was one of the big problems when I was at Harvard studying music. We had to write choral pieces in the style of Brahms or Mendelssohn, which was distressing because in the end you realized how good Brahms is, and how bad you are.

Leah and Gregory met through friends. I imagine the introduction was something like, "Hey, he's rich and has a summer house in Montecito and she's a hot makeup artist who was a yoga instructor and can still put her legs behind her head." Aaaaand cue Mendelssohn's "Wedding March.

the surprised bookseller, whose name (inexplicably) was Mendelssohn. He was no relation to the German composer, and this Mendelssohn either overliked his last name or disliked his first so much that he never revealed it. (When Ted had once asked him his first name, Mendelssohn had said only: Not Felix.)

the Spinoza tercentennial.32 He begins the essay by surveying the reception of Spinoza from condemnation after his excommunication, to partial vindication at the hands of Mendelssohn, to canonization by Moses Hess and Heinrich Heine, to the scholarly neutrality of the twentieth century.