Quotes About Youth

While other kids were out playing and doing healthy things, I read an ancient judo book with a neck hold that was fatal to so many people, they finally dropped it from judo.

Little did I know how much the Runaways had influenced so many people.

When I was 10, 11, 12, 13, 14, I had so many people I looked up to and was so inspired by all these different people. It's cool to be in that position.

In the same way that so many people read 'Harry Potter' and went to see 'Harry Potter,' just because a movie is about a kid, doesn't mean it's for kids, and just because a movie is about a girl, doesn't mean it's for girls.

'7 Years' seems to have attracted a lot of age groups - people seem to see their own lives in the song, and it's great to see so many people reacting in that way to it.

'Skins' meant so much to so many people. It was so much part of its time, and I was so young.

One of the things that resonated with me is that 'Schoolhouse Rock' started in the 1970s, but there are so many people, regardless of age, who can still recite the jingles and know things about bills and laws because of that show.

It's also reflective of a young person's religion or faith in that it's highly charged with sacramental imagery and with country imagery, because I was in the seminary for so many years in the country.

I was always active as a child. My dad tried to place me in every sport imaginable. I had so much energy, he wanted to push me in a direction where that energy was used appropriately to keep me out of trouble and focused while I was in school.

The kids are so much fun. I'm always taking a look over at what they're doing because it reminds me of when I was so small before.

I had a friend in high school who badly wanted to make movies and would recruit me as an actor. It was always so much fun. I decided, I'm going to go to Hollywood and make movies, which is a thought I'd never had before.

Well... I had braces and I had to wear headgear! I loved my braces, actually. For me, they were like a piece of jewelry! Instead of the silver or pewter I had gold braces. It was so much fun, I loved them. I got to change the colors and stuff and I had the rubber bands.

My first love of jazz came from joining the Chilliwack Middle School band - it was like an 18-piece jazz band, and I wanted to join just because the older kids looked like they were having so much fun.

The Sex Pistols came through Atlanta, and I got to go see them. That was historic. It blew me away; it was so much fun. I bought 45s of bands you don't hear about anymore.

It's the best, it's so weird because, having your camera on constantly is known to be such a bad thing because it's like, 'Live in the moment,' but we genuinely have so much fun when we turn the camera on.

For the very first video I ever made, I was told to film our family reunion, or something like that, and I had so much fun with it that I just kept doing it since then - probably since seventh grade.

It's so much fun to be able to collaborate creatively with someone you grew up watching.

Growing up, I used to go to the Fred Hoiberg camp all the time. I used to have so much fun there - just me and my friends going to these camps, having fun playing around.

I spent so much time on the field while my dad had practices growing up that I actually developed a pretty good arm playing catch with my sister.

I have brothers, and that so-called boyish quality was something that I was deathly self-conscious about when I was younger.

When I was 11 I became a massive fan of The Monkees. We had a so-called 'band' of kids on my street and we'd go along to people's houses and mime to Monkees records.

If they had said my writing wasn't good enough, fair enough, that's an opinion. But to say it's too complex is to insult the intelligence of the so-called young.

Because of diabetes and all the other health problems that accompany obesity, today's children may turn out to be the first generation of Americans whose life expectancy will actually be shorter than that of their parents. The

For young Americans in the 1960s, for whom the psychedelic experience was new in every way, the whole idea of involving elders was probably never going to fly. But this is, I think, the great lesson of the 1960s experiment with psychedelics: the importance of finding the proper context, or container, for these powerful chemicals and experiences. Speaking of lines, psychedelics in the 1960s did draw