Quotes About Youth

Every kid who plays football dreams of appearing in the Bundesliga one day.

When I was 18, I applied to go to BYU like my six brothers ahead of me - I have eight boys and one girl in my family.

I never felt that my life was not complete without a child. I don't know if that, as a younger man, I'd have had full appreciation for it.

Winning the BAFTA for 'Young Apprentice' felt great. It's really nice to be part of the winning team.

What I like about 'Paper Girls' in particular is that, because we're approaching it more from a female perspective, we're able to consider the emotional states of these characters a little bit more and think more of their interiority.

Each dress symbolizes the age that it's appropriate for.

I wasn't one of those kids who grew up watching movies thinking, 'That's what I want to do when I grow up.' I didn't really particularly know I had an aptitude for it.

In high school for a couple years we did archery.

As a child I wanted to become an architect.

I've always been this kind of player: since youth level I've been a midfielder who can arrive and finish.

I arrived at Inter when I was very young and I had the chance to play with Giuseppe Bergomi, and I met Giacinto Facchetti too.

Being a young player arriving at a big club is great. It's something that really helps me on the way.

It is an important duty at Arsenal for the experienced players to show the younger ones that there is a chance to make it into the first team.

I lived a dream. Any kid who starts playing can't help but to dream to play at a club like Arsenal.

When I left Arsenal I never said I didn't like England. I was very young and my problems were all in my head.

It's not easy to break into an Arsenal team from youth.

I got alright GCSEs, but I was lost. I didn't know what to do, whether to continue with education, go to uni, go to art school - then again, I was like, 'Maybe I should just go and get a job, start early and make money.'

I feel as though I came to music with something to say. It wasn't like that when I was younger. I didn't have the ability to articulate what it was I wanted to say.

Drama should be taught in schools to have more artistic people.

I think when I was doing 'Amistad,' I was just too young to really understand what the process was, and beyond that, I hadn't really got involved. It was just somehow - and I thought that the artistry was all in the theater.

I've tried to help a lot of young artists get started.

Many young artists, they look at the art world and think they can make a lot of money.

I wanted to be liked when I was younger, which I think a lot of us do; I'm not ashamed to say it. I was a product of my environment, a product of my culture.

When I was two-and-twenty, and had taken my degree in law, my old uncle, the Abbe Loraux, then seventy-two years old, felt it necessary to provide me with a protector, and to start me in some career. This excellent man, if not indeed a saint, regarded each year of his life as a fresh gift from God.