Quotes About Visibility

It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?

Something that's hard for me, I remember being a child in the '80s and looking at this field. It was a field I wanted very much to go into, but I didn't see people who looked like me working in video games. You can't really be it if you can't see it.

I always prioritize dark-skinned women when I'm casting my music videos. I just believe that we deserve to be front and center. I never like to make the girls I choose look like backup.

I had a much better view with the halo than I expected.

Being continually in people?s sight, by the satiety which it creates, diminishes the reverence felt for great characters.

You're kidding? These people live in a glass box with no option to shut the world out? That's kind of—" "Exhibitionist. Yeah. Fishbowl-like." "I was going to say vulnerable," she says softly.

wanted to live in the dark as a teenager until I realized that ugliness already makes you invisible

A man who casts no shadow isn't really a man at all.

There's a lot of things you can't see if you aren't' looking.

There's a cliff at the end point of a person's life; most us of peer over the edge of it, hanging on. That's why, when someone chooses to let go, it's so dramatically visible. The body will seem almost transparent. The eys will be looking at something the rest of us can't see.

I hadn't been thinking, actually. I was just trying to get to a place where I'd be noticed.

Working smart is harder than working hard. It's just less visible, and we care too much about what others see.

I had never gone away from you, its just that other people came closer to you and you couldn't see me in that crowd i was still there.

Our society on a whole is trained to see young women. There are proportionally far more of them on magazine covers, on TV, and in films than int the actual population. As a result, we have a citizenry taught to see the young and ignore the not-so-young. It isn't conscious; it's Pavlovian. (13)

But, like superheroes, they would not want to keep themselves a secret for long. How could you be a superhero if no one knew you existed?

But Little Saigon as strategic hamlet is not just physical real estate. It is also mnemonic real estate, for according to the informal terms of the American compact, the more wealth minorities amass, the more property they buy, the more clout they accumulate, and the more visible they become, the more other Americans will positively recognize and remember them. Belonging would substitute for longing; membership would make up for disremembering.

The only truth about shadows is that you can't see them in the dark.

Your face is your calling card, but you're not so famous that you can't go out.

So what do you want? Does what happens inside show on the outside? There is such a great fire in one's soul, and yet nobody ever comes to warm themselves there, and passersby see nothing but a little smoke coming from the top of the chimney, and go on their way.

Qué se imaginarán los tíos que esconden las chicas para querer siempre verlas por todas partes?

Book buying studies have proven a reader has to hear about your book multiple times before they reach into their wallet and purchase a book. The number of exposures to your book is somewhere between six and twelve times before you collect a sale. A key part of your platform building process as an author is to give readers multiple exposures to your book and the availability.

I'm just really thankful to have the chance to portray a character you don't see every day.

I like what the internet offers: the ability to get people interested in your mind, and have a chance if you're not conventionally attractive.

Confidence is seen, not heard.