Quotes About Bands

My tastes in all things lean towards the arty and boring. I like sports documentaries about Scrabble players, bands that play quiet, unassuming music, and TV shows that win awards. In that way, I am an elitist snob.

To my mind the defining characteristic of our era is spin, everything tailored to vanishing point by market research, brands and bands manufactured to precise specifications; we are so used to things transmuting into whatever we would like them to be that it comes as a profound outrage to encounter death, stubbornly unspinnable, only and immutably itself.

The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think it's not that they try to make you compromise your art. That's not the problem.

Yes, there were piano bands and great rock pianists, from Jerry Lee Lewis and Little Richard to Keith Emerson, Rick Wakeman, and Elton John. But something about the electric guitar speaks of more than music - it epitomizes and gives voice to the rebellion, power, and sexuality of rock.

A more important reason is that the bands will intuitively trust someone they think is a peer, and who speaks fondly of the same formative rock and roll experiences.

The repercussions of what you put out and what people gravitate to in your music never registered at all. I never had that thing that maybe other bands have - a specific idea of what they are and what their sound is.

The first music I ever got into was the '80s alternative bands that my brother listened to, like The Cure and The Smiths and R.E.M. and Fugazi. I can remember specifically saying The Cure was my favorite band back in second grade.

I'd say that my musical influences are anywhere from pop-rock electronica, new age and classical. But I think that specifically, bands - I love Jem, I love Sigur Ross, I love David Gray, I love Elliot Smith... a lot of different people. But I don't find lyrical inspiration from anybody.

Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about it. Those four bands were pretty much the only ones from that milieu that had signed to a major.

I've seen bands split up for five years and do nothing. That sounds great to me, but it just hasn't worked out that way.

And souls, it seemed, were powerful things in their own right, with a kind of inertia about them, not easily moved. Particularly when all of them had to be moved in a kind of unison, all agreeing as to the shape of what was being made despite seeing it from many different points of view. As if all things in the world were webbed together by bands that had to stretch or break in order for change to occur, and those bands were woven by the perceptions of souls.

I played in rhumba bands, mickey mouse bands; all kinds of bands.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

I've been part of five different bands in my time.

Disco is the first technology music. And what I mean is that 'disco' music is named after discs, because when technology grew to where they didn't need a band in the clubs, the DJ played it on a disc.

streets of whaling ports such as New Bedford, Massachusetts, were lined with the opulent mansions of whaling merchants and crowded with bands of destitute sailors. The sailors were little more than sharecroppers on ships.

Great growth firms are a lot like great jazz bands. While jazz is improvisational and entrepreneurial-like, the discipline underlying it allows even musicians who have never played together before to perform a rocking jam session.

Hunter, if you leave signs for other Comanche bands, why do white men have so much trouble finding you?" "They are not smart." Loretta laughed softly. "I think I've been insulted. You think I'm stupid?" He threw her a look that made her laugh again. "A little bit smart. Because I teach you." "Ah, so I'm ignorant, not stupid? I suppose I can accept that.

Hunter, if you leave signs for other Comanche bands, why do white men have so much trouble finding you?" "They are not smart.

Hard rock I got into around twelve or thirteen. My uncle introduced me to Scorpions, Great White and everything rock. From there, I expanded out, and I listened to Nuclear Assault, Exodus, Megadeth, King Diamond and Misfits, of course.

When I first got involved in the underground metal scene in '82, '83, there were only about five or six major Death or Black Metal bands around. There were so many other bands that were inspirational, that really helped.

I've worked as a singer in metal bands for over ten years now, so I've definitely kind of put in my time building that underground family, that underground, loyal fan base.

It seemed record companies wanted bands to be creative because they didn't know how to manufacture underground music. We could do our own thing and go at our own pace. But that changed when major labels started wanting bands that would sell 7 million records.

I was always heavily interested in underground musical movements, the post-dubstep scene; Mount Kimbie were coming out, and bands like that.