Quotes About Roles

We live in the golden age of character actors - in an age when actors who have done their time in character roles are frequently asked to carry dark movies and complicated television dramas.

I have played many negative roles in films, and television gives me an opportunity to break through this image and portray another side to me.

I love British television. I love the irony, I love the authenticity and I love the roles I get put up for.

I did a 10-minute role in Rajkahini, in Manikarnika and a Telugu film too. I hope those left an impact on the audience.

Luckily, neither in my Tamil nor in my Telugu movies do I have roles that require exaggerated emoting.

I knew that the glamor quotient is high in Telugu movies when compared to Malayalam. Hence I was careful while opting for the roles in Tollywood.

I am getting good roles in the Telugu film industry. And people are also liking my work. I dub the films myself and this makes a huge difference.

Yes, many people compare me with my father and I feel proud and happy that Telugu people are enjoying my roles.

In Tamil and Telugu films, I am not called for stylish roles and often play rustic or unglamorous roles in them.

A lot of substantial roles are coming my way from Tamil and Telugu, and I am happy with the way my career is progressing.

I've played Hamlet and Coriolanus, Orlando in 'As You like It' and Ariel in 'Tempest,' among others.

men's crimes are always ours in the final analysis, aren't they, Mr Strike? Ultimate responsibility always lies with the woman, who should have stopped it, who should have acted, who must have known. Your failings are really our failings, aren't they? Because the proper role of the woman is carer,

The answer to this question is that trustees need a new view of people at their best in institutional roles. That view can be simply stated: No person is complete; no one is to be entrusted with all. Completeness is to be found only in the complementary talents of several who relate as equals. This flouts one of the time-honored assumptions—almost an axiom—of administrative lore: "You cannot manage by committee! Delegation of authority must be made to an individual.

one's family is made up of supporting players in one's personal drama. One never supposes that they starred in some possibly gaudy and certainly deeply felt show of their own.

he occupied a series of positions—

You can never know about about your own destiny: are the people you meet there to play a part on your oun destiny, or do you exist just to play a role in theirs?

hey'd say that heterosexual women become feminists when they finally understand that society doesn't allow them to be complete and free human beings— but lesbians had always understood that. Feminists are finally realizing that sex roles dehumanize women— but lesbian had always understood that; they'd always refused to a cape the limitations and oppressions opposed by the womanly role.

If we want to be women of contentment, we must choose to accept our portion, our assigned roles from God.

The man's position is not up for grabs, just as it is not his to give away. The woman's place is not the man's for the taking, nor is it hers to forfeit. The two must stand together in their respective roles. What we have been given to guard, we should never yield to another.

Society created the prison in its own image; will history, with its penchant for paradox, reverse those roles?

From an egotistical point of view, I'm always interested in roles that push me as a person. I'm interested in humans as animals and as products of society.

Dating, like almost every other male-female interaction in present-day society, is based on outmoded and unequal social roles and expectations.

But the people we don't know are only characters in the human comedy. We are the tragedians.

As always, so polite that he is at the beginning distant, and yet always determined. This is because he has uses for us all. Yukio is not only a dramatist but also a practicing stage director. For the drama of his life, he has cast us in our various roles, those demanded by the rigor of the script. Each of us has his or her purpose—or else we would not have seen him at all.