Quotes About Interaction

Not only do people stop me on the street to say, 'We're walking, we're walking', but I have actually been in restaurants where the hostess was saying it to customers.

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

If you're in a conversation with me, the last thing I'll probably say when I'm walking away is, 'Thank you and sorry.'

Pure entertainment is not an egotistical lady singing boring songs onstage for two hours and people in tuxes clapping whether they like it or not. It's the real performers on the street who can hold people's attention and keep them from walking away.

If you're sitting across the table from someone, the geometry of the situation says 'confrontation.' If you're walking with somebody, you're heading in the same direction, and the spatial dance you're doing is a little more cooperative.

If you see a gaggle of teenagers walking towards you, you tend not to make eye contact, because you know they're going to recognise you. You learn to adapt: 99.999 per cent of people aren't looking to be harmful or unpleasant; they just want something, a photograph or an autograph.

Walking down the street in any town or city in the world and having people look at you and start talking to you, convinced that they know you as well or better than they do members of their own family, that's just an odd phenomenon. But I mean, I wouldn't say it was a bad thing. It's an interesting thing.

In real life, that's how we're moving around. We look at things while we're walking and moving and turning around. We stare at objects in the world.

I get spotted quite a bit walking about the streets in Belfast and it's okay, I don't mind it, they come up and shake your hand.

And I'm walking along and we're laughing, kidding, joking, and see he understood the leader, the one we called the leader, had some knowledge of English, although limited.

Bores put you in a mental cemetery while you are still walking.

I've been able to find just as much interesting, exciting music through the Internet and iTunes... The personal interaction is not the same, and I'm not walking out of a store with a physical thing, so there's definitely an element that is lost, for sure.

The aesthetic of architecture has to be rooted in a broader idea about human activities like walking, relaxing and communicating. Architecture thinks about how these activities can be given added value.

I think you can learn a lot about a guy from the way that he talks to you and the way that he compliments you. If he's complimenting you when you're just walking down the street and it's something completely pure and of the moment, then that's something you can take to heart.

I hope to meet a lot of people from different walks of life from different parts of the world.

I haven't always been the guy that walks into a room and automatically the attention is on me. I'm normally the guy that stands off in the corner.

University was a chance to people-watch and to mix with people from all various walks of life, which as an actor is a great experience because you get to observe people.

One of the great, truly extraordinary privileges of being an actor is to interact with individuals from all walks of life, you know, from avocations that you wouldn't ordinarily interact with or people you wouldn't ordinarily interact with.

I am, by nature, pretty reserved. It was after I became an actor that I started interacting more with people from different walks of life!

When you are on the street, if someone walks towards you it's better to look down. But we were always looking at people in the eye to try to provoke something.

I love covering politics at that early stage where you can walk up to Mike Huckabee, who gets out of his car by himself. A car that he drove, who just walks up and talks to you because that's the only way he can get his message out.

My first interaction with Gene was that after I auditioned I walked out of the room and then this big guy walks out with me, and he puts his hand on my shoulder and he says, 'You make my words sound better than they are.' And I said, 'Well, you must be the writer.' And he said 'I'm Gene Roddenberry.' And I had no idea who that was.

Zahara likes to hide from Angie, who always knows, right when she walks in the room, that Z's playing.

It's a gratifying feeling to be in the middle of so many people, speak to them on different issues, meet people from all walks of life in panchayats.