Quotes About Interaction

One of the dangers of science fiction, particularly bad science fiction, is that you have these scenes where the characters turn to a blackboard and start explaining how this faster-than-light drive works, or something like that. We never really have those conversations in real life. That's not part of the way we interact as human beings.

Children of five and upwards write asking if it's my own hair, whether I'm married, how old I am, what's inside a Dalek and how Tardis works. Nearly all of them send me drawings of Daleks and incidents from stories.

'Deal or No Deal' works nicely with my ADD/ADHD symptoms. I show up, meet the contestants, and move around the set. I'm not stuck behind a pedestal reading trivia questions. I've always had problems sitting still and listening for long periods of time. The show spares me these challenges. I can live in the moment. It's like a standup act.

When I do a workshop, there is always at least one author who comes up afterward and asks if I'll take a look at his or her book and consider blurbing it. For some reason, I can turn someone down in e-mail, but when he or she is looking me in the eye, I cave.

I love interviews, meeting fans, teaching workshops, giving speeches... all of it.

I will greet every person who comes to my workshops and seminars.

As the world becomes a more digital place, we cannot forget about the human connection.

Just in a professional world, sometimes a phone call is definitely more meaningful than a text.

Fans are my favorite thing in the world. I've never been the type of artist who has that line drawn between their friends and their fans. The line's always been really blurred for me. I'll hang out with them after the show. I'll hang out with them before the show. If I see them in the mall, I'll stand there and talk to them for 10 minutes.

Brazil is a country I hold very dearly. I've got followers there who I've been interacting with for years, as well as fellow artists like Ivete Sangalo, and it also has huge figures like Pele. I'd love to go to that World Cup - I'm not sure in what capacity, but I'll definitely be there. I know that nobody wants to miss it, least of all me.

You meet somebody on a bus or something, and they say, 'Thank you for the World Cup; it was so good to see,' and stuff like this - it's funny.

The World Cup is made up of human relationships, you have to feel how the dressing room is established, how the players interact, the responsibility, the joy, the pride, you try to balance things out. If you're hyper, you try to slow it down; if you're a bit low, you try to hype it up.

I guess I knew I was a people person, but I didn't know how much till I had a podcast.

Tim and Fritz Lang I loved working with. Not Hitchcock so much. There was no communication.

It's all about the experience and having a good time and connecting with the fans.

I do think, in time, people will have, sort of, relationships with certain kinds of robots - not every robot, but certain kinds of robots - where they might feel that it is a sort of friendship, but it's going to be of a robot-human kind.

I meet an enormous number of incredible people all the time, people I find very inspiring, and I'm very busy.

Obviously I love the fans, and it's beyond lovely that people like my work, and I love saying 'Hi,' shaking a hand, doing a high five. All that's fine. But the posing for photos is so time-consuming and frankly a bit weird.

A lot of times the interview relies not so much on the interviewee, but on the interviewer.

The times in my life I've felt the most alive is when I'm having a connection with people. We need to hack cities in a way to bring back that community culture.

At first, I am a bit timid, but when I know people I feel better. Then I give a real impression of Joao Moutinho.

I've always thought stand-up comedians were the oral storytellers of our time, because they know rhetoric, they know delivery, they know timing, they know all of these things that you can only learn by telling a story out loud and interacting with an audience.

Tina Fey, a performer and head writer for 'Saturday Night Live,' has deftly adapted Rosalind Wiseman's nonfiction dissection of teenage girl societal interaction, 'Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends and Other Realities of Adolescence.'

More than a billion people use the Internet, yet only a tiny fraction contribute their knowledge to it.