Quotes About Interaction

You know, I look at Twitter as kind of a roomful of people who are interested in what you have to say. The people who follow you are, presumably, somewhat interested with what you have to say.

Somewhere along the way, when we were building social media products, we forgot the reason we like to communicate with our friends is because it's fun.

People who come up to me are drummers or fans of the band. I don't get it too much, but I'll be somewhere and someone will have me take a picture or something.

Personally, I don't go and seek contact with fans, but if they happen to find me somewhere I'll say hello and speak to them for a while.

Before I met Bad Bunny, I had this image of him from his lyrics and songs, and I met a very cultured and nice man that I could have deep conversations with.

I think a show is more of an interacting with fans than you just singing songs.

When people hear you singing songs which are done as playback, they don't see you. But when you perform live, they expect you to be interacting with them.

In the normal course of things, journalists want their story, and as soon as they are through with it, they pack their cameras and go. That was never the impression that David Astor gave when you were interviewed by him. It was far deeper than that.

Even at my most depressed and low-functioning, as soon as you put another person in the room with me, I would perk up and be happy to see them.

I don't like, and I've never been very good at, close-up shots. As soon as you have the camera right there in front of you, it feels like you're in a different reality from the person you are acting with; you lose any real connection with them.

If there's a silence in a room I'll try to fill it as soon as humanly possible.

I would have answered your letter sooner, but you didn't send one.

For many women, and a fair number of men, saying 'I'm sorry' isn't literally an apology; it's a ritual way of restoring balance to a conversation.

My favorite emoji is definitely the sad face, like the 'See, I'm sorry' sad face, which I use all the time... Or the monkey face, where he's covering his eyes.

People that don't talk are constipated. I'm sorry, but if you can't communicate, what do you have? You have nothing.

But I absolutely believe that architecture is a social activity that has to do with some sort of communication or places of interaction, and that to change the environment is to change behaviour.

Part of what I love about games is that, even if you're best friends with somebody, it gives you these sort of moments where you get to interact on a completely different level. You all agree to these abstract rules, but there's nobody holding a gun to your head.

I think good actors can sort of see into people and immediately you have a chemistry with them or not. It's like an affair with no mess. You don't actually consummate it, but you get to pretend, imagine what it would be like.

The keynote of simple folk is bad manners, familiarity. They intrude on one's private soul.

When neighbours interact with each other, it is only natural that sometimes they will run into problems of some kind or another. As long as they respect each other, properly manage differences, and pursue mutual benefits, there will be harmonious sound instead of jarring noises.

I think in general, lines are a bad idea. Especially if they sound like lines. Everyone's immediate reaction is to just kind of cringe a little bit.

You don't feel like you have to interact with a whole bunch of people when you get on Flipboard. It's not a source of social anxiety.

When I made my one-day debut for South Africa I met some of the Aussies for the first time. We lost the game and when I shook the hands of players I just wanted them to look me in the eye and acknowledge I had competed.

I give people a space to simply sit in silence and communicate with me deeply but non-verbally.