Quotes About Interaction

Even when I was in high school and the Navy, I was the guy who could rip somebody, and they'd laugh at it.

As a writer, you have to be near people and hear stuff. I'm a hamburger and cheese kind of fellow; I'm not Henry David Thoreau.

I used to get an awful lot of letters, and they have almost all gone. I used to answer nearly all of them.

What's casual for a robot isn't necessarily what's casual for a human.

I don't go to a lot of other directors' sets; directors don't come to mine. Directors are all very cordial with each other, but they're not necessarily friendly.

Of necessity, the autobiographical self is not just about one individual but about all the others that an individual interacts with. Of necessity, it incorporates the culture in which the interactions took place.

Our necks are getting injured from looking down, and the movie screen gives you opportunity to look up, you know? It gives you an opportunity to possibly have a discussion with someone afterwards.

An interface is humane if it is responsive to human needs and considerate of human frailties.

In this world, conversations are negotiations for closeness in which people try to seek and give confirmation and support, and to reach consensus. They try to protect themselves from others' attempts to push them away.

I grew up where my parents would literally shove me in the car rather than have to say hello to a neighbor.

Really, I think that going out and playing with your friends is kind of becoming a lost art, with the kids in the neighborhood.

I love kids. Every time I go around people neighborhood, they're like, 'Biz! Yo Gabba Gabba!' They want me to beatbox all the time for them.

It used to be that you knew your neighbors and maybe your coworkers - the people in your physical vicinity.

In laughter we always find an unavowed intention to humiliate and consequently to correct our neighbour.

For centuries, individuals have been learning how to live with their next-door neighbours.

In 'Heart of Gold' at one point, there were 23 players on the stage with him. And part of what's magic about Neil is the way he interacts with the other musicians.

My father was not comfortable working with very articulate people. He and Willie Wyler got along because neither of them was very articulate.

I was nerdy and awkward and didn't know how to talk to people - except online.

There's a lot of good fans out there, but there's also a lot of bad - I don't want to say bad people, but a lot of people who just want to try to get on your nerves and stuff like that, man.

People still make me nervous, but gradually over the years I've developed kind of like a public personality, so I can talk. I have my spiel, I have my stories.

People have all kinds of approaches when they come up to me. Some of them are so nervous: 'You know, Mr. Cosby, you are my biggest fan!' I am? Some of them even claim that I raised them.

I can talk to execs very clearly, very plainly. I don't get nervous in front of them anymore.

Look, every guy is nervous when they talk to girls, but I find that little bit of nervousness to be kind of fun.

I use the Net for a lot of things besides e-mailing. I involve myself in chats with people as part of my research for characters.