Quotes About Immersion

When I am shooting, I am inside the theatre, when I am in the editing room, I am inside the theatre. I always try to feel what they will feel. I see a film, not as a director, but as the audience. If I am entertained, they will be, too.

When I see someone filming me, I don't usually think, 'No, man, don't put this up online!' I'd think, 'Hey man, you don't get to go to shows very often, put down the camera and enjoy it!' I love going to theatre and to shows so much.

The repetition of the theatre means you've got the time to get deeply inside the person you're playing.

I'm a massive hater of 3D. I don't like it at all. For me, you go to a movie theatre and you want to be taken to a place and transported to a place and be in that environment, and I know 3D is meant to do that, but the effect for me is the reverse. I feel like I'm looking though muddy water, and I can't really see the image.

In a regular theatre, you'd be kind of moving your eye from one character 5 feet over to the right on the cut. In IMAX, suddenly that's like 20 feet. So I would love to do something. I think I would really want to take the massive screen into consideration so that it would be done properly.

Theatrical is fantastic. I don't think anything will ever replace the big dark room, the screen and the popcorn. You can kind of do it in your home if you have a nice screen, but it's not the same thing.

I think it's important that filmmakers look at the technology and figure out how to make the theatrical experience a little more exciting.

Always when you are doing films, the themes swallow you in one way or another.

There's a word for it," she told me, "in French, for when you have a lingering immersion of something having passed by. Sillage. I always think of it when a firework explores and lights up the smoke from the ones before it.

Austin was engrossed in some mobile gaming device. "No, no, bad portal," he scolded, totally oblivious to the world. "Stop—evil—eurgh! Suck my flagellated balls, douchenozzle!

Movies absorb our attention more completely, I think.

If a movie is really working, you forget for two hours your Social Security number and where your car is parked. You are having a vicarious experience. You are identifying, in one way or another, with the people on the screen.

I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.

Technology is the knack of so arranging the world that we do not experience it.

Escapist creativity is that which lacks encounter.

Socrates immersed himself in the cutting-edge intellectual work of his day, then transcended it. He took advantage of the fact that the most exciting thinkers in the Western world were drawn to Athens. He sought them out, learned what they had to teach, then challenged what he had learned to enhance his own understanding.

Living in a country where I didn't speak the language suited me just fine. Everything was an adventure, including buying milk at the corner store. I developed the art of getting lost... It was a safe kind of chaos, and at some point that I was cultivating my 'aloneness' in this strange place as a method for putting off loneliness.

Give the present the gift of your full attention.

You must be present to win.

The children are now working as if I did not exist.

Usage is the best language teacher.

BOLD Immersion was about exposing students to a talented and diverse community, learning about the technology industry from a non-technical point of view, and growing my skills.

once you set up your story, you should step into it and write as if you are living in that fictional dream. The result would be a story that would make readers feel that they, too, were in a seamless story, a dream.

Once the story captures my senses, I am no longer conscious of the act of reading words. I am in the story.