Quotes About Immersion

Lightweight and slim, immersion blenders can appear to have all the grit of a Bichon Frise, but the reality is that they're no less than the business end of a blender, minus nearly all of the protection. If mishandled, they can be one of the most dangerous cooking tools.

I would love to slip into the skin of a fish and know what it's like to be one. They have senses that I can only dream about. They have a lateral line down their whole body that senses motion, but maybe it does more than that.

My effort is to slip into any role that is offered to me. The minute you go into those costumes, those grand sets, and start prepping up for the role, you become the part or at least start feeling the part.

I had to do a lot of preparation for 'Kaaka Muttai.' I had to literally spend every night and morning in the slums, observing the life of people there, and work on my diction.

I don't belong to the slums, but to play Naru in 'City Of Gold,' I had to live for months in a real chawl before we shot the film.

Acting is a smaller piece in a big puzzle. There are charity things I want to immerse myself in and want to have the time to go and give back to people who don't have the opportunities I have. It's a very important thing to me.

How do you project a character if you don't have a sense of where she is from? I've always just gotten on a plane to go to the area to get a sense of what it is like, to smell it, feel the earth, hear people talk, go to the marketplaces.

The more I'm committed to finding a way to genuinely be immersed in someone else's life, the more enjoyment there is in it. I've never been interested in smoke and mirrors and cutting corners. I'd rather just do it for real.

In 'Red Dead Redemption' they have a thing where if you walk through snow your footsteps stay where you've gone. I think that's just representative of humanity.

When I'm out there on the field, I'm in a whole different world, you know? It's like, I'm just having so much fun.

I'd like to give people leaden boots in galleries, so they'd be a bit slower in front of my paintings. And that's because I spend so much time looking at them. I can look at them a long, long time without getting bored. I disappear.

Once I've properly finished a book, my ideal state of being would be to never think about it again. But with 'Capital,' I felt I'd spent so much time with the characters that they were very, very real, and I definitely had a sense of loss about leaving them behind in a way I've not quite had before.

I really need so much time to really make headway on a novel that requires me to disappear from the world in a way.

I love 5.1. Sometimes you can't squeeze everything in comfortably into a stereo picture. There is a lot more space in a 5.1 environment.

Immersing oneself in the problems of a book is a good way to keep from thinking of love.

I would love to be in the position where the role is challenging enough that I need three months to prepare for it and then six months to live the life of character.

I love IMAX when it works right.

I love thinking about the film, the project and committing myself as much as possible.

That's what I love. I love thinking about the film, the project and committing myself as much as possible.

I love that feeling of going into a packed theater.

With period dramas, it's very easy to get excited because I love to do them. I'm a history nut and I love to immerse myself in the research.

Falling in love with a story is like falling in love with a person. It tends to occupy your life, your thoughts. You can't do anything else for a long time.

I allow myself to get firmly sucked in. I love that! I come from that.

I love going to movie theaters, even in the era of movies on-demand and Netflix. When you are in a movie theater, no one can reach you by phone or other means.