Quotes About Artistry

Songs are out there - they're waiting to be grabbed. I start with a phrase, musical and lyrical, words like 'I don't think so' and a nice riff. It rolls from there.

I love musicals, but I find it's just so deadening. You know, 30 takes, you do a little piece here and a little piece there. There's hours and hours of waiting. And to me, that's as far away from real performance as you can get.

Every time I sit for a song, I feel I am finished. It's like a beggar sitting waiting for God to fill your bowl with the right thought. In every song, I ask help from Him. Everybody around is so good, so to create music that will connect with so many people is not humanly possible without inspiration.

Applause, it's very nice, of course. But when you're giving, and creating, and then there is the silence of everyone sitting there, listening, waiting, that is great.

I have hundreds and hundreds of songs waiting to get on albums, but I don't know about the three-month radio tours and if I'll be interested in that. I haven't figured it out, but I will definitely be doing music, whether it is independent or with a major record label.

I've been in this business for a long while, but it's not like I've been waiting tables. Since I started writing, I've only worked on things that I love. I've had a lot of heartbreak, but you don't become an artist and not expect that.

In Britain, you know there are people waiting to tear your stuff apart, so it's important for me to know that my music has subtleties and depth to it.

Sometimes I forget that I'm supposed to keep people entertained because I'm just making music for my lifestyle and for my people who live my lifestyle. We forget that there's a world waiting on us.

I've been making music for a long time, but I've been waiting to do it right, because I don't want people to think it's just a stepping stone in my career. A lot of actors go that route as a way of building their careers. I don't want it to be seen as that.

You can't manufacture inspiration, so a lot of it is still a waiting game for me. There's still a lot of mystery to songwriting. I don't have a method that I can go back to - they either come or they don't.

Glass really rewards risk. A lot of times with glass, you're just waiting for the piece to cool down or for some temperature to adjust, and there's split seconds where you've got a fraction of a second where you get to make a move a particular way, and you don't get to repeat it if you do it wrong.

Acting is my first love. There are still so many characters inside of me that are waiting to come out.

What I look for in music is artistry, sincerity, and simplicity, and Tom Waits has all of that. I want to make a connection to the creator.

I would love to work with Leonard Cohen, Tom Waits, B.B. King. I'd love to do something with Arctic Monkeys, Miles Kane, and The Last Shadow Puppets. If I got a call from Juliette Lewis or PJ Harvey, or Chrissie Hynde, that'd be a thrill.

The first time I heard Tom Waits, it was like everything just flipped. It was just this fascination with him. My cousin showed me 'Small Change,' and I just couldn't get over that this was a white guy singing.

Men have a lot less to write about, unless you're somebody like Tom Waits or John Lennon. And the female voice is much more suited to melody. Men have this barky thing - we're domesticated apes with a microphone.

I love Tom Waits because he's an artist who makes me not afraid to get old, and that's rare. I think it's a rare kind of thing to have that level of wisdom. And his lyrics are just astounding; everything in life is inside his lyrics.

Biggest musical influences would be people like Nina Simone and Tom Waits. A huge amount of writers like Leslie Feist and Paul Simon.

It's always Bob Dylan, Bruce Springsteen, and Tom Waits for me - the big three.

What we do is wake up every morning and think about how we get more music out to people; how do we get better music? We breathe, eat, and sleep music.

Every single day, I wake up and take a glimpse of where I am now compared to where I was before, and the work that we have all put in to be in this space. I think of that, and being able to express myself through my art and show up and be present - that's activism, advocacy, and artistry in itself.

It's more fun to have a name rather than a number. I think this gives our products a personality. I get the names from literature, movies, opera, traveling, nature, poetry, sometimes even the street. I keep a small book that I write in. I wake up in the middle of the night and jot down a name for a lipstick or an eyeshadow.

When I taught art, I was always asked, 'How do you know you're an artist? What makes you an artist?' And to me, it's like breathing. You don't question if you breathe; you have to breathe. So if you wake up in the morning, and you have to realize an idea, and there's another idea, and another, maybe you are really an artist.

What keeps me interested is that I have to do it. It's like people wake up and they have to breathe; I have to write songs; I have to make music. That's like eating or breathing to me. It's that simple.