Quotes About Artistry

My respect for animators and animation directors has gone way, way up and it is just not something you can phone in.

For me, there is no day or night for music. I often work through the night - without phone calls disturbing me.

The moment you sense someone is making something because they think people are gonna buy it or like it, it's just so phony! The public has a nose for phony like nobody else.

I love doing photoshoots; it let's me really show off my personality, flair, and makeup within a photo.

Sometimes I'll use four or five different photo apps on one photo just to get it where I want it to be.

When it comes to partnership, some humans can make their lives alone - it's possible. But creatively, it's more like painting: you can't just use the same colours in every painting. It's just not an option. You can't take the same photograph every time and live with art forms with no differences.

When you finish a record, I look at it like a photograph. It's already taken. You got it the way you wanted it to be. You edit it, make sure the light and contrast are right, then you just put it away, and that's your photograph. Then you don't really think about it anymore.

You don't necessarily get the background of a character every time, So, you have to create it mentally and write about it. This is something I learnt from Geetanjali Kulkarni with whom I worked in 'Photograph.'

I don't like my work. I didn't like my work in 'Dangal,' and then in 'Photograph,' I was cribbing.

It is the photographer, not the camera, that is the instrument.

I don't like gimmicky pictures; I've always hated them. I like pictures that are very clear and clean, whether you're a great street photographer - somebody like Friedlander or Winogrand or Cartier-Bresson - or whether you're a portraitist, like Irving Penn.

Sometimes I'm amazed by how much you can do as a photographer.

I really had a great time shooting for Dabboo Ratnani. He is such an experienced photographer and works in perfection.

When you understand how to do that dance, when the photographer says, 'Hold it, do it,' and you know you're getting it right, oh, the fun. It is fun.

I am an artist first and a photographer second.

I'm not a photographer, so I need all the help I can get when it comes to make a picture look cool.

I never set out to be a photographer.

People often say, 'You don't go to fashion shows? What kind of photographer are you? What the hell is the wrong with you, man?' But that's what I need in order to be who I am.

Patreon is here to give control back to artists so it doesn't need to be a hard conversation when a kid tells their parents they want to be a musician or a photographer or a comedian. It should be the same as wanting to be a doctor or a lawyer.

Photographers have to make the clothes look fantastic; that's why we get paid.

I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.

A lot of photographers like models to be blank canvases - but bland girls don't influence me. I don't like playing with dolls; I like playing with people.

I love working with photographers.

Some photographers work on the same image for hours and hours and then use the first picture that they took.