Quotes About Artistry

One of the more flexible words in the English language, art is defined as a human creative skill, doing something as a result of knowledge and practice. It is the mind's eye rendered in visual form.

The desire of water is scribed across the desert like graffiti, until all that is left of the desert is water.... In the scream of a flood, consummate carvings are left behind. Careful scallops are taken from the faces of canyons. This is not random work. It is artistry distilled from madness.

I hope what I do has an art to it, and as an artist you have to try new things and keep yourself entertained.

I took the luxury of watching the crows playing tag above our heads for a moment more, the graceful arc of their patterns intertwining in figure eights of infinity. That was probably our job here, to keep going and to do it with as much artistry and beauty as our hearts could bear.

As the eternal child Albert Einstein said in 1929, "I am enough of the artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.

One of the most gratifying things I get as an artist is when people watch me do these different demonstrations, and they in some way feel empowered by what I'm doing so they can confront their own fears. Maybe it's the fear of getting in an elevator maybe it's the fear of going on a plane and seeing the world.

On the land, spring rains are the primitive artists, greening hills and valleys and coaxing flowers to vivid bud and bloom. Summer rains are the long-lived masters of color—the steadier they fall on hardwood trees in June, July, and August, the richer reds and yellows ignite the autumn foliage.

But when John began to bring Yoko to recording sessions and consult her about everything he did there, even allowing her to criticize what they were doing, it was too much for the others. They hated it, and it was clear that the arrangement wouldn't last amicably for long.

Maybe when we see things all the time, we stop really looking at them. And it takes an artist, someone who can look past the ordinariness, to remind us how special they really are" -Lily

A genuine essay has no educational, polemical, or sociopolitical use; it is the movement of the free mind at play. Though it is written in prose, it is closer in kind to poetry than to any other form. Like a poem, a genuine essay is made out of lenguage and character and mood and temperament and pluck and chance.

I try to look at design from a more conceptual standpoint.

The artist always plays to himself and I believe the audience seeing that one person can be free to express his thoughts, however strange they may seem, inspires the audience to feel that perhaps they too can freely express their innermost thoughts with impunity, joy, and release, and perhaps discover our common bond – unique yet so similar – with each other.

When I write a tune - and it's been like this for many years - I always hear in the back of my head some sort of vague, orchestrated, fully fleshed-out big-band version of the song with other parts going on.

As a dancer, obviously, we are all inspired by Michael Jackson, and I always looked up to Gene Kelly. He was a bigger version of Fred Astaire, and he was amazing as well.

On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.

My version of lip-synching is singing full-out with the track.

I tried to make a 'When Doves Cry' in a rap version. I used a lot of instruments and I broke it down like I thought Prince would do, and that's the song I sent to Big Boi.

The most important thing you can do as a performer is to be yourself, or be an onstage version of yourself. If you're not being true to yourself, and somebody likes that other version of you, you're kind of stuck.

I've always been an actor, even when I was doing improv and my own version of stand up.

Most artists I run into aren't that thrilled with what they do anyway. They are glad to have different versions out there to see which one the audience likes the best.

Classical musicians do this all the time. They want perfection. So they piece things together. Eight bars of this and six bars of that. Glenn Gould said that with a recording he wanted to make perfect versions of pieces.

I always say it took me 10 minutes to write 'Cars,' but if I am honest it could have been even less than that - and it has been a really successful song over the years. It is still massively used, in advertising, in films, and people do cover versions of it a lot.

Having done so many versions, I never felt like an artist in 'Swan Lake.'

Claude Debussy's 'Children's Corner' is a suite with six movements just for piano. Arturo Benedetti Michelangeli and Alfred Cartot's versions are amazing, but my favorite is Menininha Lobo's. Her version was done when she was an old lady - and you can hear it.