Quotes About Subconscious

There are all these scripts where the women, if they're working, are prostitutes and lawyers with an angry streak who'll kill you. It's a reaction to women leaving their men and men being angry about it and saying it on some subconscious level.

The water was like a physiological stimuli to the subconscious that overwhelmed people with too much psychoanalytical material, you might say. People could do 10 breathing sessions without the water, and then they did breathing sessions in the water.

When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making. Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.

Once you share what you're communicating with your audience, then you can make more sense of it in a subconscious way.

The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.

Whatever you determine to be true in the subconscious becomes true for you.

When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside before you start.

If our subconscious was attractive, we wouldn't have to bury it down deep within us.

I'm also a great believer in the dream life; that while we're asleep, a deep subconscious connection is made about our profoundest fears, hopes, loves, losses, dreads and desires.

When I read a script or I see a character, I don't necessarily see the arc of her, that by the end she is this person, she's different from she was in the beginning. I guess it's more a subconscious understanding of that arc.

Usually, I'll just sit down at a piano or with a guitar, and I'll just be relaxed and playing music. Because that's what relaxes your subconscious. That's why everyone from animals to humans love music.

A lot of writing takes place in the subconscious, and it's bound to have an effect.

All of the art that I love is about peeling back layers and delving into something that's in a subconscious or dream realm. People like Jan Svankmajer, or the artist Yoshimoto Nara, or David Lynch.

Everyone has a subconscious and automatic preference of this over that. Once you're aware of that, you can take steps to change.

All stories come from the subconscious - which is why it doesn't make sense to over-plan.

Somewhere in our cultural subconscious, we crave these figures that are big and strong and unassailable, like masculine fortresses. It's like how the 9/11 firemen were venerated.

I think art, at its best, happens on a conscious and a subconscious level.

I'm not afraid of just cranking it out and seeing what comes out of my subconscious. Because I don't always know what I'm feeling. I do a lot of rewriting later. But that first blast feels like a spigot - like it's coming from somewhere else.

There are some signs that can indicate she might be interested. Woman might do subconscious things like play with their hair or orient their body towards your direction.

I want to do something original rather than interpret someone else's performance, which is always the risk - even if it's only in a subconscious way. I want to concentrate on giving my own fresh interpretation.

It's interesting what pops out of an author's subconscious when he's not thinking about it.

A lot of problems get solved in those sort of in-between moments when your subconscious has been working on some problem. If you keep it spinning, you can fix ideas sometimes better than if you focus on them directly.

You can understand so much about how consumers perceive a brand by analyzing their spontaneous, subconscious responses.

I thought that I wouldn't be able to make it because I'm a girl, but I think it was just a subconscious feeling. Pretty much every gig I went to was a band with four dudes.