Quotes About Performance

The Fox God created Babymetal by coming to us in a dream and telling the three of us to form the band. It is because of the Fox God that we are able to be who we are and perform all over the world.

All the songs we do are basically about one of three things: booze, sex or rock n roll.

In 1980 I finished three or four times in seventh place.

You can't draft for need. You draft for need, you get fired. Draft the best player, and if you've got two of them now you've got three of them. Just take the best players available for you.

Dancing isn't easy, and to just jump into three to four hours of rehearsals a day is a lot.

It's easy for a player to stand out in two or three days. But the grind of a camp, and just the level of consistency in performance that requires, that needs to happen.

I love the power of the musician who composes and performs. I envy their ability to put a nugget of truth in three minutes of sweat and emotional outpouring, colored entirely from their thoughts.

Boys are 30 percent more likely than girls to drop out of school. In Canada, five boys drop out for every three girls. Girls outperform boys now at every level, from elementary school to graduate school.

The most important thing about being on a football pitch is having options. That's what makes players look good. If you get the ball in possession and you look up and you've got three or four options, it's so much easier just having one or maybe two.

I play a Fender Jazzmaster and three stacks and a combo, two old Marshall Plexis and a Hiwatt combo and a Hiwatt combo with Marshall cabs.

I would love to act. I get to do it in three and a half minutes in a video on a three-day shoot, which is fun.

You know, when a fast bowler comes back after a series of five Test matches and then straightaway has to go into a one-day series with a three-day break, a T20 series with a one-day break, it is tough.

In my theater work, I've had much more three-dimensional, broader-stroke characters.

I like three-dimensional characters - it's just more interesting when you get on set.

When you're doing characters from famous novels, you have a responsibility as an actor to make it what the writer intended. And then you add and expand from there to create a three-dimensional performance.

There is nothing like being able to develop a three-dimensional character over a long period of time. Sometimes you aren't able to fully portray a character because you only have a couple of scenes to do it in, and you don't get the full life and background of that character.

Whether it's a very dramatic part or a comical role, I feel I need to create the same thing: a full-fledged, three-dimensional character that the audience can identify with.

Performing with a hologram in a three-dimensional world feels somewhat strange. But you know, the experience of playing live in a room full of people is most exciting, it's something that the social media has not been able to recreate. There's some kind of intensity about it, something that the social media doesn't capture.

I want to be a three-dimensional actor, excelling in comedy, negative roles and even serious roles.

'Padosan' is a three-dimensional film. The chemistry between Saira Banu, Sunil Dutt and Mehmood is too good.

I would love to be on Broadway. I would love to do a three-month run, similar to how celebrities do a three-month run on 'Chicago.' Something like that would be awesome. So, I'm putting it out there.

Voice work is fun. But about three-quarters of the things you enjoy about acting are just not there. You're not working with another actor; you're not working with an audience. You're just working with a bunch of writers and a microphone. It's very abstract.

I would say three-quarters of what I do depends on the sincerity of it. You can croak, but if you croak good, they'll still listen.

One night Roger was in a foul mood and he threw his entire bloody drumset across the stage. The thing only just missed me - I might have been killed.