Quotes About Performance

What worries me is to be in the best physical form to score goals.

Money is just a consequence. I always say to my team, 'Don't worry too much about profitability. If you do your job well, the profitability will come.'

I believe in giving more than 100% on the field, and I don't really worry about the result if there's great commitment on the field. That's victory for me.

I have never seen a talent like Ronaldo. He always scores, scores, scores. The first game he played for Milan, Sienna away, I said to him, 'I can't put you on the pitch. You are 100kg.' 'Mister,' he said, 'don't worry, I will score.' I put him in, and he scored twice.

Strictly' is so positive, we have so much fun doing a show like 'Strictly,' you don't have to worry.

I worry from the moment I take a job. I worry about how I'm going to do it, if I can do it... Then I walk on set and the director says, 'Roll', and all of a sudden, all of it disappears and it's all happening, and I relax, and I'm doing what I do, and I'm not even thinking about it.

Do the job first. Worry about the clearance later.

You shouldn't worry who gets the funny line, just that you're being funny as a double act. With us, it flips all the time. There's no real straight man or funny man.

In the NFL, every practice could make or break you. If you dropped one ball, you'd worry about getting cut.

I think players tend to get anxious if they've not really done things properly - like eating, resting or training. If you're fully prepared you've got nothing to worry about - it's just a game of football.

It's fun playing the villain now and again; villains are so simple, and you don't have to worry about the audience loving you.

You worry just as much about great performance as you do about underperformance.

I don't really worry about the size of the part much any more. It's nice to have more time to work on the character, and to have big scenes to play. But if there's something playable there, and if it's interesting to do, then that's nice.

To me, acting is like tennis. You're only as good as the person you're playing with, so if you're playing with Michael C. Hall, what do you have to worry about?

Still when I go on talk shows, I worry that I have to live up to a comedic persona.

I don't worry too much about learning lines per se. The memorization is the easy part for me, usually. For me, it's more about working on the context, back story, intention, motivation, etc. Once that's in place, the lines come pretty naturally.

A lot of places I go are dangerous, like Tel Aviv or Rio, but that never stops me from going there and putting on a show. I have good security. I don't worry about that.

I'm very competitive. If I have to 'turn it on,' I know how to. The switch isn't hard to find, don't worry.

When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I don't have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.

It's easier for me to act in Spanish, but as soon as I get the lines in English and I know them by heart, it becomes really easy. You don't have to worry about the language anymore. It just takes more time. In Spanish, I can learn lines in 10 minutes. In English, it's going to take an hour.

Whenever you play dance music, it serves a function. It becomes a utility; you have to worry about the tempos and what you're going to play for people. But when you're playing for listening, you're free.

Don't worry, the fans don't start booing until July.

So it must be my mental, because sometimes when I start on the tee, I still worry about whether my ball is going to hit right or left.

Sometimes I'll be playing along and find I'm missing the strings. I'll worry about it for days until I notice that the pick has worn down to half its size.