Quotes About Performance

Eight times a week, I got to be a gay man, a remarkable gay man, and every night, that felt as full, as true, as passionate, and as authentic as I ever felt in my life.

I've had a great love for Al Pacino's work since I first saw him on the stage doing 'The Indian Wants the Bronx' in the early '70s. His work is remarkable. He's the real thing.

If people are going to spend a night out at the theatre, they don't just want 'good' - we can watch box sets for that - they want it to be totally remarkable.

I think the President himself is a remarkably intelligent, decent, ethical man. I think he did very well, but I think the job builds up over expectations which all candidates contribute to including this President that simply cannot be fulfilled.

You know, honestly, acting in film is remarkably independent. You're doing your thing and someone else is doing their thing.

Few things parallel the bonding that occurs post-performance when congratulatory remarks are awarded, regrets are confessed, and gossip is exchanged.

What separates the good players from the greats people remember is consistency.

It's important to remember that you're born naked, and the rest is drag.

Be it 'Thevar Magan' or 'Magalir Mattum,' people still remember me for what I have performed and when it comes to characters, I don't want to restrict myself.

I want to make super fun fights for all my fans so people will remember me.

All I care about is that the audience should remember me for the character I play. I want to be part of content-driven films in any language.

I never wanted the fans to remember me as anything but my best.

In 'Kahaani,' I did not have more than 15 minutes in the whole movie and my character has dialogues for not more than two minutes. Still,the audience remember me for that role.

No matter where I end up in terms of wickets or the number of matches that I play, I think people will always remember me taking 10 wickets. So it is something that is always going to be special for me and for Indian cricket.

I remember when I was 11, I did some Kung-fu demonstrations in Hong Kong in 1974.

I remember when I was younger and seeing guys like The Rock cut these promos telling the world how terrible they are. How they are a bunch of losers and stuff like that. He was so funny when he did it that you couldn't wait 'til he came out and started insulting you.

I remember when Michael Jackson came to India and I was crazy about his gig.

I remember when I was doing 'The Crucible' on Broadway with Laura Linney, and Arthur Miller had been in rehearsal with us and was on stage on opening night. She turned to me during the curtain call and said, 'Let's make sure we remember this.'

I remember when I was rehearsing 'Scottsboro Boys,' I was in 'American Idiot,' so, every night, I was screaming, singing these high, belty Cs and Ds, and then, during the day, I would be doing these legato lines - I am very lucky that I have had the training that I have so that I could handle all of that.

I remember when I was in 'Matilda,' we would have interviews in the day, and then we'd go to a show, and it's just, like, absolutely insane.

On your debut, you just want to get into the game. I remember when I played my first Test, we bowled first and I went wicketless in the first innings. I felt like I was searching to make a contribution.

I remember when I gave my first recital. I thought, 'Oh, my goodness, people are coming to hear me.' I didn't expect anyone to come, and then the whole hall filled up. Of course, it wasn't a big hall, and some of the people were my friends and family.

I remember when our first album came out. After one of our gigs, we went across the border to Mexico and the band in the bar where we were was doing covers of our songs. I don't think they understood a word they were singing but they did the songs perfectly.

I remember when we were playing Liverpool away from home and we recorded one shot in the whole match. That's not Man United. You want people go out and express themselves.