Quotes About Performance

Performing a song is intense. When I see people connecting, it makes it all worthwhile.

Slipknot's music is very technical and intense, and it's not easy to play, but that's what makes it special. What's so gratifying about playing a show that is that intense is when you get off the stage, and you know you really delivered at the top of your ability and performance; that is what makes it all worthwhile.

I'm a satirist, so I've got boxing gloves on if the person is worthy of satire. But I'm not an assassin. If that ever happens, it's only because something happened during the interview that got me going, and then I had to translate my feelings to the mouth of the character.

Some days we may be more acutely conscious of our sinfulness and hence more aware of our need of His grace, but there is never a day when we can stand before Him on our own two feet of performance, when we are worthy enough to deserve His blessing.

I regard myself as a beautiful musical instrument, and my role is to contribute that instrument to scripts worthy of it.

I need to do well and show I'm a worthy driver in F1.

The thing about me and school was that as much as I felt that I didn't belong, as long as I was on a stage or dancing, that's where I excelled the most, felt worthy.

If you draft a player to be a backup, why did you draft him? You're drafting a guy because you think he's worthy of being drafted at that spot, but you're also drafting him because you think he can compete. If you're going to say, 'This guy's a backup,' - really? That doesn't make any sense to me.

Bill Murray, we've got to get people worthy to be on the screen with him, as opposed to just a bunch of random... with no disrespect... but a bunch of random local actors.

There's a difference between feeling nervous and feeling: 'I'm not worthy of taking the ice.'

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I think that every year that the New York City Ballet is alive is worthy of celebration. Because otherwise the terrible thing is just that we take it for granted.

I think acting is all about the other people. Sounds like a worthy thing to say, but it's true.

I think Carmelo is a great player. He makes players around him better. Whatever thing, whatever Carmelo wants me to do, I will do that out on the court just to prove that I'm worthy enough to be on the court with him, starting with the dirty jobs - just getting rebounds, getting shots, getting blocks, and just running the court.

Most actors will tell you this - I don't really know how to connect, empathize with, or make worthy of any revelation a character that doesn't have love in there somewhere, that doesn't have an idealism or an empathy in there somewhere.

Since I got an audience before I even had a comic voice, my material that really wasn't worthy of an audience somehow got it, slightly unfairly.

Just like any other job, you want a raise you've got to put in the work and you've got to show that you're deserving and what you bring to the table and all kinds of other stuff to show that you're worthy of so and so pay scale.

He played the king as if afraid someone else would play the ace.

My wife totally backs the way I am on stage; that's one of the amazing things about her. I have 120 per cent respect for her when I'm on stage, so there are definitely certain things I would never do.

Everyone has a breaking point, turning point, stress point, the game is permeated with it. The fans don't see it because we make it look so efficient. But internally, for a guy to be successful, you have to be like a clock spring, wound but not loose at the same time.

It's a very unnatural environment to be in, up on a stage. So you put up defenses to hide. Like looking at the ground with your hair in your eyes, or being tightly wound and quite aggressive and uncooperative, as I used to do.

I started my teenage years singing in churches across America, and finally wound up on a big stage.

I'm never comfortable at theatre opening nights. If it's my own production I'm too wound up to be able to enjoy the performance and too wary to enjoy the event as a social occasion.

My best friend growing up really put the bug in my ear about acting. We created this one hour-and-a-half improv play when we were 10 or 11 and performed it at the library. We just played off each other so well and had the best time doing it and the funniest part was, we wound up having packed houses, other people loved it too.