Quotes About Performance

Every time I'm a good guy in a movie, which is the 'Marine,' people are like, 'Wow, you can play endearing. You can play kind and nice and sweet but yet hardcore.' And I'm like, 'Yeah. Just because The Miz is a jerk and an egotistical maniac doesn't mean that there isn't a softer side to Mike Mizanin.'

Every time I perform, I always try to have that 'wow' factor.

What's wonderful about acting is that you get to play different roles. For instance, in 'Amelie,' I played a young mother. Some of the photoshoots, you're playing a role. I like to be able to look at a photo and say, 'Wow - that isn't even me.' I enjoy being able to project.

Dunk, and people anywhere will ooh and aah. But you can wow a crowd in New York with ball handling and passing.

The best strikers make you sit up and take notice because every time they get the ball, you think that something amazing could happen. Of course they'll score goals, but they'll have something in their game which makes you think, 'Wow, he can win this game by doing something magical.'

My first reaction when I watched Les Miserables was, 'Wow, my hair looks good!' They put half a wig in, and I was always kinda worried it was gonna make my head look twice as big!

I love touring, more than anything. Doing the stage show is a more enjoyable process than TV. There are no safeguards but the payoff is the wow factor.

You know in acting you have those moments in a movie where a character yells or breaks down crying and you're like, wow, that's acting?

I have seen Tommy Emanuel play; my wife and I went to see him and he just melted my face off. How do you play guitar like that? There are so many people that play at a ridiculous level and I sit there watching them and I'm like, 'Wow, wish I could do that.'

When you go 18 games unbeaten people will say 'wow he's really good' but when you make mistakes they will point the finger at the back four.

I don't want to ever look cheap on screen and want my viewers to squirm in their seats when they see me in such a scene. I'd rather wow them with my physique.

Jofra makes any team better. He is the most naturally gifted bowler I've seen and I don't think he realises how good he is. Some of the things he can do at the click of a finger are just 'wow.' It's pretty special to watch.

I'm on the mat six times a week, so I got on the TRT. I had some back issues and I'm always on he mat, so I had my levels checked. So I went and my things were in the 300s or whatever, so I'm like really, wow... so I'm a candidate?

When I was signing my card, I was like, 'Oh, wow, I actually went birdie-birdie to get in the playoff.' I was just in my own world out there.

When I rehearse, it ends up doing more harm than good. I think I work a little bit better when it's right off the bat. Mostly, I try to wrap my head around a role as much as I can without rehearsing and then kind of make it as fresh as possible on the day.

A simple ballet wrap sweater heats the back muscles but is easy to put on or take off without disturbing a dancer's makeup or hair before a performance or during a workout.

I've played American characters so many times now, it's so natural to me. But when I play American, I stay in the American accent from the minute I get the job till the minute I wrap.

The encore should wrap up the audience's experience of the piece you just played.

It's not so uncommon for me to get so wrapped up in a song that I cry several times when I sing them. That's the difference between my music and some of the other folks.

To be quite honest, I find that it's easier to do parts that are wrapped up in different hair and wardrobe and eras, and different period behavior, than it is to play closer to the present.

You start realizing that maybe you're the one night a month that people have out, and they don't need to hear your political views or how dark you can get. They just want to laugh for an hour and go home. Once I wrapped my head around that, my act evolved accordingly.

I try to keep myself in what I'm doing and focused on character stuff, as opposed to getting wrapped up in worrying or being nervous. It won't benefit me, in any way, to focus on that.

For eight or 10 years, I got wrapped up in chasing records. Everything was a number. Didn't matter what I won, it was a number. Every horse I rode was a number.

I'm stoked because no one's really even seen Bo yet. It took me half the season to get used to not having a guitar wrapped around my neck. So I'm anxious for the fans to see what Bo's really about.