Quotes About Performance

I'm one of those people that to be a singer you can just walk around the house and sing, you don't have to be in a studio or on a stage.

If you're going to do Chuck Berry, you got to, you know, go all out, and the duck walk is just kind of you know, cursory. That's like standing.

When you walk out onstage in front of 65,000 people, it can bring you to tears.

The commercial and subsidised theatre are intrinsically linked. I wouldn't have had the career I have had without the opportunities I had through the subsidised sector. However, I do think, in any walk of life, subsidy for the sake of subsidy is not always healthy.

A priest once said to me, 'Think of a priest going to the altar as you walk out on the stage.' I would hate to think that anyone thought I was coming to preach. But art and music open up things that you can't put into words. It's about bringing joy when you go out there.

I can't speak for anybody else but myself 'cause I usually get in trouble when I speak for other people, so I've learned my lesson not to do that, but for me, I've been known to pace for quite a while when I walk onstage, and that's just because I'm becoming one with my shell.

People never think of entertainers as being human. When you walk out on stage, the audience think, 'Nothing can go wrong with them.' We get sick and we have headaches just like they do. When we are cut, we bleed.

It is nice to walk out on a court to have it packed.

Just because I have a successful dog act doesn't mean I can walk up to the lion cage and do as well.

I know, a lot of the films I've done, it's obvious I'm going to beat up six guys and just walk out the door. There's not a lot of motivating factors - it's just action for the sake of action.

I learned from my dad that when you walk in front of an audience, they are the kings and queens, and you're but the jester.

It's become normal for me to walk on set as Popeye, Frankenstein or an Elf or even a chicken.

I had no idea of the character. But the moment I was dressed, the clothes and the make-up made me feel the person he was. I began to know him, and by the time I walked onto the stage he was fully born.

The only way physical comedy works is if you don't see it coming. And the harder the fall, the funnier it is. You have to really take some shots, and I've walked away with some bumps and bruises.

We just lost Carol Channing, who performed 'Hello, Dolly!' at the St. James Theatre. I played the St. James Theatre as well. To know that you walked the same boards as somebody like that is so extraordinary.

For me, comedy is constantly presented as this fake casualness, like a guy just walked on stage going, 'This crazy thing happened to me the other day.' And he's in front of 3000 people, and he's acting like an everyman, and he's getting paid so much money.

There are several times when I walked into a room and just felt like such a sham. That's the problem with auditioning.

It confuses me and disappoints me when somebody says, 'What does he do? What does he do?' My records are some of the biggest anthems ever. What do you think, they magically just appear? Obama walked out to my record.

I may or may not be the best fighter in the world but I want to be the best entertainer, so when you see my fights before and after, you'll remember my entrance and the fight. When I've walked in there, you'll know I've walked in there!

Electric Gypsy' was really raw. I was literally sketching out the lyrics as they walked in the door. I jumped up and had a sheet of paper and I showed them the chords, which are simple. We counted it off, I got the lyrics off the sheet into the song and played a solo at the end - done!

I didn't realize how much the paint was going to affect how I moved and how I walked. And it wasn't something that consciously happened. It was because the first time I'd done it was a Tokyo Dome show, I want to say in 2013-14, and I walked out there, and I was a completely different person.

When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'

The first one I remember singing on stage was 'Somewhere Out There' from 'An American Tail.' I was around 7, and my choir teacher at school asked me if I would sing it. My parents told me that I needed to move around the stage, so for the entire time I just walked back and forth from side to side while I was singing - there's videotape of it.

First time I walked out on the Opry stage, Vince Gill was there. He kind of 'daddied' me through the whole thing. My knees were knocking. I walked out there, and I was literally shaking. They say it's the spirits or the ghosts. And out of respect for that whole establishment, I was really really nervous.