Quotes About Performance

Outros estudos mostram que se você tiver apenas 1% de desidratação, é provável que você experimente até 5% de diminuição na função cognitiva.

The most amusing thing about a pantomime horse is the necessity of having to shoot it twice.

I think our leadership team is a highly accountable leadership team.

If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way.

I think it's always funny when you see kids do Shakespeare.

If you are a great dramatic actor then you often don't know if people are enjoying your stuff at all because they are sitting there in silence. But with comedy it's a simple premise. If it's funny, people laugh. If it's not, they don't.

But with comedy it's a simple premise. If it's funny, people laugh. If it's not, they don't.

Lorne finally said, Do the Blues Brothers thing. The response was amazing. People went nuts.

I'm not bragging but my movies have grossed well over a billion dollars.

He sounded like the king of guy who gets mad for a living.

Comedians walk out, get a feel for the crowd. If it's not going good, we change directions. If we got to drag your momma into this thing, we will. Whatever we got to do.

To a pitcher, a base hit is the perfect example of negative feedback.

Be a yardstick of quality. Some people aren't used to an environment where excellence is expected.

It's been an amazing year of individual performances.

You can work on the saxophone alone, but ultimately you must perform with others.

I've performed solo for 20 years now, but I don't do much of it, because if you only play alone, you go crazy and out of tune and play foolish music.

You have to sound sad first of all, then maybe later you can sound good.

GAHAN: 'I don't think I should say "Hello, Pasadena", I think I should say, "Hello, the Rose Bowl" ... I don't know.' FRANKS: 'Why don't you say "Good Evening, Welcome To The Concert For The Masses"?' GAHAN: 'I'm not fucking Wordsworth, you know.

I think I started doing that when I was about seven, grabbing my crotch. It's great fun. You get to grab your dick in front of 20,000 people and they all scream.' At the time Gahan insisted that he had a clear perspective on his role as a tongue-flapping, genitalia-clutching aphrodisiac.

I believe entertainment can aspire to be art, and can become art, but if you set out to make art you're an idiot.

I feel good about being able to take bluegrass on to television like 'Letterman' and 'The View ' and I've heard nice things about being able to do that. I really haven't felt any negativity toward me or my music.

No matter how many times people say it - 'Oh, I'm just writing this for myself' 'Oh, I'm just doing this for myself' - nobody's doing it for themselves! You're doing it for an audience. So whether I'm performing or writing a book or playing music, it's definitely to be put out there and to be received in some way, definitely.

Throughout my whole life, as a performer, I've never played with a band. I've always played alone, so I was never required to stay in rhythm or anything. So it was a real different experience for me to start playing with a band. There were so many basic things for me to learn.

I'm enamored with the art world. Anytime you look at anything that's considered artistic, there's a commercial world around it: the ballet, opera, any kind of music. It can't exist without it.