Quotes About Performance

They do say, the smaller the feet, the better the dancer.

Though television is a smaller medium than the stage, you can't be afraid to be big.

I did find it particularly difficult to do Broadway. It was not my favourite way to perform. When I do theatre, I like it to be smaller. I like the audience to be closer; I like it to be less presentational.

We've seen smaller guys in main event fights, and they do well. It just takes the right combination of people I think. I think Dominick Cruz v. T.J. Dillashaw could have main-evented a PPV and done pretty good.

For me, it's all about smaller character-driven pieces, about finding a person that I connect with and that I'm interested in bringing to life.

I think, bottom line, I have to be good enough to make the team. I have to bring something in and beat somebody else out, especially with a smaller roster for the Olympics.

I always treat shows as though they could belong on either platform. I always design it for the bigger stage, but I love it on the smaller stage.

I'm a smaller guy, so I train at a high pace.

The cool thing about the smaller gigs - it's the intimacy. You really feel connected to the crowd.

It is very tough in England. Every away game is hard, of course. And normally, if you're a big club like Chelsea, you're supposed to win games at home against smaller clubs. But in England, that's not the case. We must play well every game.

Buffon may be a bit smaller, but he has everything that you want from a great goalkeeper. He relays his confidence to his defence, and they feel that they have a great keeper behind them. Everybody can make mistakes, but his consistency level is amazing. You never see him have a bad game.

I don't think smaller guys usually bother me on my shot too much.

I have a smaller bottom lip, but in 'Wheeler,' I had a lip over my lip. It's fat, and it helped with my accent.

If you try to simplify it as much as possible, I guess you could say if a guy who is my size can move around the same as a guy who is much smaller, you would think there are maybe going to be a few more advantages.

I'm quite loud. When I was in film and TV, people were always saying, 'Oh Kelly, make it smaller, make it smaller.'

Investment is crucial but it's just the start. You look at some of the nations that have massive budgets but don't perform, then there are smaller nations who don't have massive budgets and can still get a reasonable medal count.

When we did Party in the Park it was in front of 70,000 people and that was amazing. But with smaller crowds, you can see everyone looking at you. We're like 'eeeee!'

I could throw the ball hard, but at this level if you're not accurate, it's easy for batters to light you up with home runs. That's when I started concentrating on making my movements more compact. It just seemed to me that smaller movements would produce the kind of pitching I desired.

A single prop that does not look real to an audience can louse you up. The same is true of the smallest flaw in setting up the motivation in a story line.

You can tell when you watch a movie, usually, what the actors' experience was on the movie, because even the smallest of roles were interesting.

An actor puts himself in the hands of a director. And the director's first responsibility, obviously, is to tell the story, but the smallest thing that's not true reads on the screen. So if a director sees that an actor is not believable, he needs to help him become believable.

I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.

That's not the way I think, 'I'm the smallest guy on the field, I have to go out there and do this and do that.' I just go out there and play.

You have to be smart to play a dumb blonde over and over again and keep the audience's attention without extraordinary physical equipment.