Quotes About Performance

I normally feel relief that I didn't die onstage or forget all my lines. Then I start remembering that I have to do it again sometime, and it'll probably not go as well.

Sometime I rap for the house. Sometime I rap live.

There is more emotion in a match in New Japan. The matches here in the U.S. are so fast that sometime they lack emotion. It is move, move, move.

Sometimes, the hardest things are just the simple things. Basically, get out of your own head and just go play the game you know how to play.

Sometimes you have to accept that a guy played better on the day than you.

Sometimes I feel like if I'm not getting people to boo me, then I'm not doing my job right.

People on series are now given a lot more opportunities, sometimes more than film actors.

Emotional scenes can be especially difficult because I'm such a hyper, excited person, so sometimes that can be hard.

Obviously everybody, if you're playing in the league, you've got to have somewhat of an ego about how you play the game.

Most bodybuilders are somewhat extravert so they probably enjoy that whole thing of people looking at them all the time and being on stage. I was an introvert and not really interested in that, I was doing it for myself.

It's not just about learning the dialogue and facing the camera, you must somewhat live the role and not always be acting it.

I think with acting, since I became an actor... I, as a person, have become more confident and I have really come out of my shell somewhat... and back to myself, you know.

I look at it somewhat as a way - when you learn juggling, what you learn is how to feel with your eyes and see with your hands because you're not looking at your hands, you're looking at where the balls are, or you're looking at the audience.

I'm somewhat old-fashioned, and I still talk about playing a part. I don't talk about my work - 'I've seen some of your work' - there's not much work in it, is there?

I feel like, by now, if you don't understand that the playoffs can be somewhat of a crapshoot sometimes, then you don't watch enough baseball.

We were playing, not for the drunks, but for the musicians, because it was more intellectually challenging. We needed somewhere to put our energy to show that we were growing, and as we started to achieve this, people came to hear us musically.

You make the money in movies and TV so you can do theater. I do a play a year... somewhere.

When I was a comic in the 1980s, I was on the road somewhere every day, and I'd get back to the hotel, and it was Carson and Letterman, and I looked forward to that all day.

Acting means living, it's all I do and all I'm good at. If I weren't getting paid well, I would still be acting in a small troupe somewhere.

Sometimes we drop in and do an acoustic set somewhere, and that's really fun to take all these insanely loud songs, and to do them quiet. It's really a sight to see... or to hear!

There is a hangover from a defeat like Denmark - ask any player about when they've had a bad game, it's still in there somewhere in the back of your mind.

If you're cast right you can actually just let yourself go because all your gestures will be right, all your intonations will be right because you just somewhere understand who this person is.

I like getting up in front of an audience. It's fun when you go to a baseball game and the crowd is cheering you. I can't deny it. And it's very funny, too. Sometimes you're shy; you go somewhere and everyone's looking at you, so you feel a little self-conscious.

To play someone when the character masks their own emotions, doesn't understand their own emotions, has no release for their own emotions, and yet is full of emotion - that is a much harder character to play than someone who has somewhere to put it.