Quotes About Performance

You can't just play a house set for four hours at the Sheraton. You have to be creative and throw in some jazz, some Latin music, and really mix it up.

I'm a very femme gay boy, so what better way to express that than through drag? It truly is the greatest mix of art forms.

I like doing stuff that is sad or angry. It's a challenge, because you're doing a mix of scenes and you're making a person.

I'm an explosive fighter so I've always got to have that strength, but you've got to mix it with endurance.

I have watched stuff like Mixed Martial Arts and boxing, and sometimes it's disappointing because the big fight is over like in 30 seconds or so.

When you think about mixed martial arts, you have to think about the entire scope of the athlete.

My goal is to make wrestling more like mixed martial arts.

A mixer for me needs to have some sort of effects, as it's a big part of how I might hype up the crowd in certain parts of a track, using the delays and filters for instance.

I definitely try to go above and beyond with live mixing and scratching.

So my humor, I'd say, comes from a mixture of lowbrow comedy shows and highbrow theater. It's an interesting mix.

For the things that I've been involved in, most of it has really been - it's been a mixture of action and then drama.

I think I sing a few songs, and I sing them well, and one of them is the mob genre, you know, as a writer.

There are no prog elements to Adrenaline Mob; it's very song-oriented, with shredding and grooves.

Historically, the mobile industry has been focused on the consumer, getting better performance and throughput to their devices.

Me being in shape allows me to be more mobile and do better things, make bigger plays.

Hamstring flexibility and hip mobility for me are the two most important factors on the field.

We ape, we mimic, we mock. We act.

I watch the wonderful Dara O'Briain refereeing 'Mock the Week,' where they all compete with each other. I wouldn't be on that. It frightens the life out of me.

If people are coming to see me because they like what I do on 'Mock the Week,' that's great because they are coming to see me being me.

The pain is bad magicians ripping off good ones, doing magic badly, and making a mockery of the art.

I realized I really enjoyed theatre, so I did shows up in Seattle like 'To Kill a Mockingbird' and 'Lost in Yonkers.'

The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.

As an actor you get categorized by other people, but it's not like I arrange myself into comedy mode or serious mode. If it's good writing you just have to play it true - if it's funny, it's funny. But obviously you don't want it to be amusing if you're playing Hedda Gabler!

With me, even if my life depended on it, I wouldn't be able to cry. Not with somebody there. Because even if I'm talking about bad and upsetting things, if there is somebody else in the room, I am trying to entertain them. If there is somebody there, I am in performance mode. I can only cry if I am on my own.