Quotes About Performance

They have very good individual players, but they need the collective game. And they still do not have it although there are now only six months left to go.

When I went into the Montreal Games, nobody expected much out of me.

I've wrestled in front of great crowds in Montreal, and I've wrestled absolutely terrible crowds where you're in front of, like, 200 people.

Anybody who has ever played in bars has played 'Keep Your Hands to Yourself.' It's a monumental piece of rock & roll. It makes you feel exactly like rock & roll is supposed to make you feel.

I am a method actor because I listen to a sad song when I have to act in a sad scene. That way, I try to get into the mood.

I just bring energy, try to put myself in a good mood, because you're not going to get through practice if you're drowsy, don't feel like doing nothing. Then it's going to be a long practice and coach is going to be all over you.

With Ferrari sometimes, you win or you lose depending on what the mood of the team in general, of the group in general.

You sort of sense the mood of the audience and it means a lot. And when you look back on those times, it means so much because, after all, that's all you have.

I watch the goals to get me in the mood and to give myself a vision of how I want the game to go.

Everyone gets in a bad mood at some point - a striker because there is allegedly a new striker on the way, the same for a midfielder.

I'm never in the mood to eat or drink when I get to a show. I'm just too nerved out.

Every performance is different because I'm different; my mood is different.

I love rock music, dance music, so it depends on my mood. But I mainly listen to dance music before going out on court.

When a guitarist can evoke a certain mood through his playing, that's what's most important to me.

I look at performance clothes as setting the mood for the whole show.

I think a lot of audience members don't realize the part that they play in live theatre. The audience actually has a mood. Sometimes they're tired and bored, and we have to wake them up and engage them.

When people come and see Los Pacaminos the first time, the first couple of songs they're in shock. But it's pretty infectious and they'd have to be in a very bad mood to walk away and not like it.

Players' moods change on a daily basis, so it depends how you find your players, and up to you to get the best out of them.

The Moody Blues was very big in France, because they liked that we were basically playing blues.

I'm very lucky that people are able to say, 'Oh, that's that Moody Blues guy!' I'm very fortunate with that. That's all. Without the songs, I think, I'd just be a pretty average karaoke singer. In the end, it comes down to the songs: the strength of the songs.

As a complete score, I love 'Sherlock Holmes' - but we cast it badly. We put Ron Moody into the part - a great Fagin, not a great Sherlock Holmes.

I sing 'Blue Moon of Kentucky.' It's a country song. It's one of my favorites to sing.

I'm the diva from the future. The next gig's on the moon. Catch me while you can.

I don't just do power ballads. I have a lot of up-tempo stuff, too - like 'Can't Fight the Moonlight.'