Quotes About Performance

A.J. Styles is great - he's a great performer - so I'm not going to take anything away from him.

When I think of all the Hamlets I've seen, there's been a load of different styles, some marvellous. You like the Hamlet you saw when you were the right age to think you could be Hamlet.

I don't think there is anybody, including Jeff Hardy, who puts their body through as much abuse as A. J. Styles.

Do you want to talk about matches that matter? Randy Orton can go out there, John Cena can go out there, AJ Styles can go out there and put together matches that matter and not have to do silly dives because they don't know how to work.

What I've always liked as an actor is to do a lot of different kinds of things. I've done musicals, stage, TV and lots of different styles of work.

What makes our business so unique is that if a cruiserweight and a heavyweight get into the ring, styles like Rey Mysterio, Jericho, Guventud, Eddie, are able to jump from that label from cruiserweight into a heavyweight.

Because of the increased physicality of the sport, golf apparel companies began incorporating more performance-based materials into their designs, as well as updating styles that had fallen out of fashion over the years.

What I'm trying to say is that within the styles, first, there's something clear: the style is given by the players on the roster.

Apart from being a trained dancer, I love exploring new styles of dancing.

Personally, I don't want to do theater that's very stylish, when it's just stories on stage that are basically the same as TV or film.

Before we talk about stylish performance, we need to think about winning. That's the most important thing.

It's not easy to be stylish as a linebacker.

The acting of the '50s is really stylized, so you're not really getting a lot of authentic, everyday characterization of people.

What I wear onstage is so stylized and bold.

Stylized acting and direction is to realistic acting and direction as poetry is to prose.

'Jersey Boys' was a lot of running around and a lot of energy, but it was more stylized movement.

I gave my life for Styx and I'm really very proud of it and I didn't want to perform that music and screw it up.

I can do anything onstage. Here's the misconception: You could record an album called 'The Best of Styx.' And all you would have to do is pay the individual songwriters a mechanical royalty.

We were together; we were a group; we were a team; we wanted people to love Styx.

Originally, AXS TV came to me last year and asked me if I'd be interested in doing an acoustic 'Live from the Grammy Museum' performance. But I was bound and determined to do an electric show with this great band to dispel any notion that I wasn't a 'rock guy' in Styx.

There is this fallacy of the 'cool' comedian out there. You see the guys who take themselves very seriously and think they're being very suave and sardonic. But they're just jesters like the rest of us; they're just goons like we all are. The job is to make people laugh.

I'm a clown. I'm a comedian. Comedy, by design, is a place to explore the subconscious.

When you go out onto the stage, all the preparation has to be forced into your subconscious. For the moment of the performance, we all have to return to a new level of unconsciousness. All the reflection and all the doubts have to be laid aside before you start.

I want to do something original rather than interpret someone else's performance, which is always the risk - even if it's only in a subconscious way. I want to concentrate on giving my own fresh interpretation.