Quotes About Performance

To Bette Davis, Gena Rowlands, Romy Schneider... To all actresses who have played actresses, to all women who act, to all men who act and become women, to all the people who want to be mothers. To my mother. - Dedication, Todo Sobre Mi Madre

Salen en lo alto de un monte ROSAURA, en hábito de hombre, de camino, y en representado los primeros versos va bajando

Alice's voice rang out confidently from the back of the room. "Silent night, holy night. All is calm, all is bright..." Her rendition was flawless: clear, true notes strung together in a necklace of sound, a gift for everyone in the room to wear.

singing and dancing more than nudity. For many years, a 54-year-old woman who went by the stage name Mistinguett had reigned over the Casino as its chief performer, but Varna believed a staged rivalry between the two women would attract more patrons.

In her performances, she introduced the practice of a show's star making her entrance from the top of a staircase.

discovered, she had tired of what she was doing. Her contract with Derval for the Folies performances was coming to an end. Pepito decided to focus on making her as famous as possible, and he arranged a long tour to 25 countries in Europe and South America. Before starting the tour,

The ambition should always be to play an elegant game.

Channeling is just bad ventriloquism. You use another voice, but people can see your lips moving.

People sometimes think I'm gay because I once played a gay in a movie. It's funny. Audiences don't think you're a murderer if you play a murderer, but they do think you're gay if you play a gay.

In the school of hard knocks, where passion and performance are far more important than answering questions correctly, the best student is probably 50 percent better at science than the second best. Not 2 percent better. This is incredibly important.

80/20 applies to almost everything in business that you can count. â–· Almost every frustration you have in sales has something to do with ignoring 80/20.

We are really competing against ourselves, we have no control over how other people perform.

juggle days around from time to time. That's expected, and as long as you don't try to make up for lost time by doing several hard days in a row, you should be able to avoid injury and overtraining. By following

the specific workout for each day as well as the category of training for that day. For example, in the 18-week schedule, on the Tuesday of the 7-weeks-to-go column, the specific workouts are

there are four recovery days that week, along with a lactate-threshold session, a long run, and a medium-long run. Looking at the row for Sunday, it's easy to see how the long runs progress and then taper in the last few weeks before the marathon.

With the money I'm making, I should be playing two positions.

It all boils down to what I would most like to do as a musician. Put songs on people's lips instead of just in their ears.

What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive.

The Who got paid 4000 pounds during those days, but we always smashed our equipment that cost more than 5000 pounds.

I heard in my own voice the tulmult of a young man playig a role, uneasily, repackaging black R&B music from America, relying on gimmicky outfits, and pretending to be wild & free when in reality he needed to be looked after by his mother.

I've always felt there are three sexes: men, women, and actors. And actors combine the worst qualities of the other two.

It's absolutely impossible to have a serious critical discussion about enthusiasms for movie stars. Because a movie star is an animal separate from acting. Sometimes, he or she is a great actor. Sometimes a third-rate one. But the star is something that you fall in love with ...

Watching Nicholson talking Towne was like listening to Bob Dylan playing with the Band.

Bob Evans's judgement of Beatty is most severe. According to him, Beatty didn't lose it; he never had it. "You know what Warren's greatest talent is?" he asked rhetorically, in 1994. "How many pictures has Warren made in his career? Twenty-one? How many hits did he have? Three! Bonnie and Clyde, Shampoo, and Heaven Can Wait. That's batting three for twenty-one. In baseball, you're sent back to the minors for that. Not Warren.