Quotes About Performance

I feel like pace is a huge part of being successful through preseason and then on into the season.

I'm asthmatic. I was a lot bigger back then, and I still get winded on stage today. But I've learned how to pace it now. I have musical breaks in there.

There isn't a single player I would pay to watch. You can say Thierry Henry, he's a fabulous striker, with pace and power, but a great entertainer needs to have charisma, too. Does he have charisma? No.

I've always thought I played at a high level and played at a fast pace.

I have to go at a good pace because how you practice, that's how you play.

Whenever you get Brianna Decker on the ice, and Emily Field and Amanda Pelkey, people are just going to go fast and push the pace.

The field is fantastic, great runners, so the best you can do is stay in control, pace yourself well, and then utilise it when you can do better.

I'm doing 'Alvin and the Chipmunks.' I get to play the bad guy. That's a nice change of pace.

You do a straight play for three months, four months, maybe. It's so brief. And then you're on to the next thing. I loved that. I love that rhythm and that pace.

At United, we like to have wingers who give the team width and pace.

A lot of times in television, it's incredibly rushed, and you're just trying to get the pace.

I try to mix my pace and try to use yorkers.

If there are differences in the race pace it is normally because the tyre is overheating on my side.

Shankar Basu introduced me to a different type of training that eventually helped me increase my pace. That, in turn, went on to help me bowl at the death, too.

When you get to an F1 car and after one lap you see the pace is there, it is special emotions and I miss it so much.

It is nice to start a game and feel the game from the beginning, but I have to pick up the pace when I come off the bench.

I don't like to put much pressure on myself but yeah that is my sort of football: get the ball, run with it, use my pace, create opportunities, cross.

Some nights I'm funny with the between-song commentary, some nights I'm not. I have no control over this. I pace the stage a lot and struggle with the mic stand in a ridiculous way.

On television one gets to do things in detail and at an easier pace. You can experiment a lot with the character, give it lot more time, and let it grow.

When you go to Australia you are always asked whether you can perform in hostile environments against high pace and every Australian side I have played against has had guys bowling over 90mph.

As a head coach, you're always concerned how you pace the team.

I don't care what level you play at, when you've got pace and the level of attacking intent you're going to make an impact.

If you are a stand-up you can hone your material over successive performances, based on the audience response. Changing a single word or altering the pace or emphasis can make a previously failed witticism work.

I'm just trying to play against ethnicity. I got to play a guy from Louisiana in 'The Pacific' named Merriell Shelton, and now I'm playing Elliot Alderman.