Quotes About Performance

If I were a high school coach, I would put my best players on offense. The best athletes on my team, I would give them the ball and score points. I wouldn't play them on defense. I would play them where they can get the ball and score points.

The one-handed backhand helps you to be more aggressive in the points.

There are so many low points with stand-up. You are perpetually humiliated, so it doesn't really matter anymore. I don't have any dignity left to lose. An audience can't hurt you anymore when you've been completely dismantled.

I was always used to being centre stage - something that had its good and bad points.

Garbage time is that time at the end of the game when the points don't really matter, and nothing you do can really affect the overall outcome, but the rookies usually get a chance to play on the big stage.

It's fun to perform Bernie Sanders and give his boring percentages and fact-based points to address some ridiculous Trumpisms, because that was always my fantasy for what the general election would look like.

It's good when you're getting points - you're obviously feeling confident.

Nike came to me and said, 'We're interested in the decathlon and interested in seeing if we can help you get as close to 10,000 points as we can.'

The bottom line is we need to score points, and we need to score a lot of them.

One day, I'd like to get a quadruple double, points, assists, rebounds and blocks.

I was always given the comedy role, even in the ballet. I was the one who fell off her points, you know? I love doing comedy, and I love being in things that make people laugh.

I feel like, at any given time, if I'm not playing my best football, if I'm not taking coaching points, if I'm not doing things right out there on the field, I feel I can be covered by anyone.

I make it a habit of never trying to judge what an audience might think, only because all points of view are too close, because we're doing it every day, I think that the actor's point of view is sometimes too close to what the material actually is.

Performing King Charles in Mike Bartlett's astonishing play in London and New York has been one of the high points of my career.

I think if you have a funny thought, and you want to get off a funny point, try to do it as realistically as you can. If you try to act it funny and accent the funny points, or do it in a funny style, you kind of lose it.

I never believe it when people claim they knew they wanted to be actors when they were 4 or 5 years old. I think that's rubbish. When you're that age, you just like showing off.

I played clarinet for many years.

I believe in Wendel Clark. We want Wendel to be a prime-time player.

You can't learn acting through any classes.

There is a bearing which comes from having a little bit of something withheld. In acting classes, they always say don't reveal 100 percent: it's much more interesting.

I always wanted to give comedy a try and I feel Comedy Classes' is the best platform for that.

I started out doing a lot of theater, a lot of Shakespeare, classic plays.

I wanted to write a song that's known to the world as a classic, stadium-rock anthem.

If you watch the Cruiserweight Classic, you want different professional wrestling. You want guys who are going to go out there, put their bodies on the line, and show you passion.