Quotes About Performance

To play sweep arpeggios correctly, you have to mute each note with the left hand immediately after picking it.

Pull and sweep are two shots which can help me score runs outside India. These are two shots that can immediately put pressure back on bowlers.

Sweep picking is when the right hand sweeps down and up the strings in succession. But when you do sweep picking, one note rings into the next, and it sounds almost like you're playing a chord, and that's exactly what you don't want.

But if I can be convinced and then through the work that we do together, the orchestra can really be convinced of the big sweep of that communication that the piece suggests, then the audience will get it and it will be a good experience for all of us.

We are glad to be a part of the K-pop boom sweeping Asia and ready to show the music of 2PM to our fans.

Trying to find the limit of yourself and the limit of the car and sometimes to exceed it and see the real limit - if you find that sweet spot and are able to repeat it, it is one of the best feelings.

Copy my favorite moves and my Tour-proven setup positions, and you'll start catching it on the sweet spot every time, with every club in your bag.

I'm actually a very romantic person, and I would like to play in a love story. As long as it doesn't get too sweet. That's not me.

After 'Pitch Perfect' premiered, I've got so many sweet expressions from people who enjoyed 'Pitch Perfect' and now the episode of 'Game of Thrones.'

On the stage, you enter into a bond with the audience, and you can sense they are moved by what you're doing. It's a sweet return.

If I have an audition, I go to the audition in character. I'm in character when I walk in the room. I mean, I'm still sweet to everyone, but I'm very much the character.

I'm playing a powerhouse singer who is big competition, but she's also really down to earth and sweet. But the whole sweet thing goes away when she's in competition mode. I love the show, so I'm very excited to be a part of it. I'm going to kill it on 'Glee!'

Having a sweet, wide-eyed, awkward character is more charming and allows for more range. If you come from anger, you're going to reach a ceiling very quickly.

They're great songs. How many bands wouldn't like to have a 'Freebird' or 'Sweet Home Alabama' to play every night?

'Ki And Ka' in a very sweet way says that if you have talent, then gender doesn't matter.

I remember seeing the performance Samantha Morton did in 'Sweet and Low Down' where she didn't speak at all, and I loved it so much because she got to do so much work just by expressing herself in her body and her face. With expressions, it wasn't necessary to speak. I find that appealing.

Growing up, my imagined life as a musician was something along the lines of me lounging in a Learjet en route to a swelling outdoor amphitheatre on a dazzling summer's eve.

I ran spotlight. Swept up. Did box office. Ran the lighting board. But acting was the most fun.

It's always nerve-wracking when you're hosting 'Saturday Night Live.' You either sink or swim.

I was the guy on the swim team entertaining the bus on the way to the meets.

I swim, go to the gym, and do a little dancing every day and a little singing.

And I guess the thing that I really sort of rely on in me is that I love racing and I love competing and so I know that you know when the time comes and the pressure's on and I have to swim well, I'm sort of able to pull it out and sort of get the best out of myself.

It felt good to actually have a decent swim.

I thought I could, and thought I would, swim a lot quicker - much quicker.