Quotes About Performance

Playing is my way of thinking, talking, communicating.

I love talking to people and entertaining people.

A better goals-to-game ratio is the aim for me now. If you score goals, you will get people talking about you.

Some people love being onstage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking onstage.

I want to be an actor, I am just not very comfortable talking about myself.

The dilemma I have is that everything I do at work is all about me, and at what point is that selfish? I'm just talking and singing about myself, or I'm standing on a stage and hoping that everybody likes me. Obviously, it's also about the music and feeling and connecting; I know it's deeper than that.

Nobody was listening when I learned how to play music. But there's something about being on stage, talking to the audience, looking at them and smiling, that's always been difficult for me. I'm a lot more comfortable now, but there are still moments of awkwardness.

There's nothing more boring than actors talking about acting.

Well, for me, the real excitement of doing physical things in films, whether you're talking about a fight scene or a stunt sequence or even a love scene, for that matter, is by necessity it has to be choreographed very much like a dance. That being said, you have to rehearse it over and over again and find a mathematical precision.

I love playing, helping the team, and not talking with the press.

I would say that if you don't feel like talking to the crowd something is wrong and if you force yourself to talk to them things will happen and to that extent things aren't choreographed.

Everyone talks about rock these days; the problem is they forget about the roll.

Everything that I do on stage comes from seeing the Black Crowes in '95 in Charlotte. For 'Let Her Cry,' I was just trying to write 'She Talks to Angels.'

I can just remember what I have seen, and then I often think about how I do well throughout the match, and then, if I miss one chance, everyone talks about the miss. Only that.

I heard a lot about Ian Botham's Ashes, in 1981. Everybody still talks about his performance.

It is a very happy feeling that a legend like Rahul Dravid talks highly about me. But I can't just sit back and be happy about it. I have to back it up with my performances.

OK - we like to say how a striker creates space and influences matches in other ways, but let's not pretend: at the end of the season, the best striker everyone talks about is the top scorer.

The audience loves when the comedian talks to them. You're creating inside jokes, which creates a community.

I've never seen anybody win the game in the media. But at the same time, I understand what it could do for you, if you wanted to be someone who talks a lot.

I look upon meself as... You take a band that's made up of arms, legs, bodies... I happen to be the piece that talks. And does all that area of it, you know? I'm also very easy to recognize; the darkie in the middle jumping around with the guitar, you know. Dat boy's got rhydm!!!

There are editing procedures for talks just as there are editing procedures in jazz improvisation.

You know, I think whatever a comic talks about onstage is all they talk about offstage.

I look at Samoa Joe, and I've told him a number of times that I see his stuff at 'NXT' and think to myself, 'Man, I could have a great deal of fun with you.' He's a guy I have sort of enjoyed, and one of those sleeper guys that no one talks about.

I think everyone talks about talent. It's really one of the most overused terms. It comes down to, do you play, and do you win? Talent is one factor, but certainly not the only one.