Quotes About Performance

We never heard of tape. Everything was live, live, live.

There's a lot of things that go into scoring touchdowns and leading your team. It's not just the game itself, but going back and studying tape to pick apart everything I did. It's nice to have something to go on, doing it full speed in a game situation.

You haven't been on tape, nobody sees what you can do, nobody sees how you play, so they don't have anything to watch.

As actors, when you can't be in the room with the casting director or the producers, you put yourself on tape and send it off.

I wanted to become a better entertainer, and I learned from my brother James Andrews. And I've been studying some tape of James Brown and different people.

I've been in a lot of shows, I will say that. Every once in a while, I'll look at a tape of something I've done, and I won't even remember having done it.

I was a little nervous at my first match, but I think I did OK. I went home after the match and watched the tape of it over and over. I wanted to do it again.

Carson Wentz, when you watch him on tape, No. 1, I just like a big guy that has athleticism.

You break down the tape of the top five backs, all those guys can catch the ball out the backfield. They're special with the ball in hand. Something I strive to be.

Sometimes a player can look like a million bucks on tape, but in real life, the kid can't play a lick.

It's not just putting on a little bit of makeup and putting on a dress. Some drag queens duct tape their heads, some drag queens are bound and strapped and pulled in every which direction. To be in drag is no small endeavor.

Going into an audition or putting yourself on tape, it's not the easiest thing to do especially because an audition is usually a camera and one person and then you have to bring to life this character.

I love auditioning on tape because you have the time and the freedom to work on it, a little bit. A lot of film is slightly dependent on what your composition is and what your lighting is.

I started performing at two or three on a tape recorder, one of those little flat recorders where you just push play and record.

It's such a relief for me to sit in front of a tape recorder and not be using it to learn my lines.

As you get older - I'm not old, but 29 is relative in goalie years - you like to see your number of games taper down a little bit so you are fresher for playoffs.

I never really composed guitar solos. Id usually ask to run the tapes and Id go off the top of my head to make something work.

I'm not good at audition tapes.

Lots of people I know have bootlegged tapes of performances and if they play it I will be transported back sometimes with happiness, sometimes with horror.

I always just like to improvise, and that goes for my audition tapes as well.

If I do a piece in my living room, if I practice it - and I have the tapes to prove this - it's not going to be as good as doing the same piece in front of an audience.

I love the notion of a dude sitting there with an untuned guitar tapping his foot and just singing his passion out; that's what got me into music in the first place.

My favorite thing is to go out in the arenas, like, an hour before doors, and run the concourse. And you get that anticipation. You smell the popcorn. You see the people tapping the kegs. And nobody is in there yet but you, but you feel it. It's my favorite thing on tour.

I used to show my emotions too much. I had to get rid of that because the opposition would notice and start to target me. If I did something wrong, I would take it out on myself, but it is important in football to concentrate for 90 minutes.